tag:blogger.com,1999:blog-6905795738577168572024-02-06T18:56:14.356-08:00arthur jansen tetelepta"Untuk mempelajari musik kita harus mengikuti aturan.Untuk menciptakan musik,kita harus melanggarnya"
(Nadia Boulanger)arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.comBlogger28125tag:blogger.com,1999:blog-690579573857716857.post-329113040396483502010-02-09T01:33:00.000-08:002010-02-09T01:33:16.820-08:00<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPdOjgMpOFBP_agJIsTdDSBOHA5t9SrJf-S90ZPUoAvv4g0F_IrIJBtqHJgbWoteb1iR0C9aJ2CDbwH44KBxMb2GuKGdnFs_w8QUw_1Q_udonzpzVynOiy7PCVPVlbIcmbKCDeQzY-Mg/s1600-h/lee%20ritenour.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPdOjgMpOFBP_agJIsTdDSBOHA5t9SrJf-S90ZPUoAvv4g0F_IrIJBtqHJgbWoteb1iR0C9aJ2CDbwH44KBxMb2GuKGdnFs_w8QUw_1Q_udonzpzVynOiy7PCVPVlbIcmbKCDeQzY-Mg/s320/lee%20ritenour.jpg" width="231" /></a></div><span style="color: white; font-family: comic sans; font-size: medium;"><br />
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Lee Ritenour's current biography<br />
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Growing up in L.A. in the 60's, Grammy award winning guitarist Lee Ritenour received a rich cross section of exposure to jazz, rock and Brazilian music. From one of his first sessions at 16 with the Mamas and Papas to accompanying Lena Horne and Tony Bennett at 18, his forty year eclectic and storied career is highlighted by a Grammy Award win for his 1986 collaboration with Dave Grusin, Harlequin; 17 Grammy nominations; numerous #1 spots in guitar polls and the prestigious "Alumnus of the Year" award from USC. He has recorded over 40 albums, with 35 chart songs, notably the Top 15 hit "Is It You," which has become a contemporary jazz radio classic. In the 90s, Ritenour was a founding member of Fourplay, the most successful band in contemporary jazz, with keyboardist Bob James, bassist Nathan East and drummer Harvey Mason. The first Fourplay album in 1991 spent an unprecedented 33 weeks at No. 1 on Billboard's contemporary jazz chart. Adding to this legacy is his latest CD Smoke ‘n' Mirrors; the recently completed Grammy nominated recording Amparo, (a follow-up with Dave Grusin to their highly-successful 2001 Grammy Award nominated contemporary classical crossover CD) and producer of Gordon Goodwin's Big Phat Band's latest CD Act Your Age (which is nominated for 3 Grammys.<br />
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It's been a long road since the seventies, when Ritenour's legendary Tuesday night appearances at the famed Baked Potato, with a band including Dave Grusin, Patrice Rushen, Harvey Mason and Ernie Watts became part of the musical landscape for five years. Eric Clapton, Jeff Beck, George Benson, Al Jarreau, Joe Sample, and even Bob Dylan and Joni Mitchell could be seen in the audiences that would pack the house till the wee hours of the morning. From rock to blues to jazz, his diverse music became the foundation of over 3,000 sessions as a young guitarist with a broad spectrum of artists such as Pink Floyd (The Wall), Steely Dan (Aja), Dizzy Gillespie, Sonny Rollins, Joe Henderson, B.B. King, Frank Sinatra, Simon & Garfunkel, Ray Charles, Peggy Lee, Aretha Franklin and Barbra Streisand. Not to forget the dazzling array of talent appearing on his solo works and collaborations, notably-- Phil Collins, Brazilian greats Ivan Lins, Caetano Veloso, Djavan and Jao Bosco, George Benson, Chaka Kahn, Herbie Hancock, Michael McDonald and opera great Renee Fleming.</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-58333341258026527672010-01-21T22:40:00.000-08:002010-01-21T22:45:01.563-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9J3vyb5V5KC2rSRsbWNDIjq511vWSoqku70YqaQiGqaK6CnOT-VQx44yn0EffPIH5UNoeL9H28nhbF0H1i2ZMJlVqT_zfHhyphenhyphenD_fUsUvuh3mt0QcasyWst6rc_abD6pr6pjlGg-1rwt7M/s1600-h/jonas+brothers.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 262px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9J3vyb5V5KC2rSRsbWNDIjq511vWSoqku70YqaQiGqaK6CnOT-VQx44yn0EffPIH5UNoeL9H28nhbF0H1i2ZMJlVqT_zfHhyphenhyphenD_fUsUvuh3mt0QcasyWst6rc_abD6pr6pjlGg-1rwt7M/s320/jonas+brothers.jpg" alt="" id="BLOGGER_PHOTO_ID_5429451286271002898" border="0" /></a><br /><span style=";font-family:comic sans;font-size:140%;color:green;" >June 24, 2009 – Burbank, CA – Jonas Brothers’ Lines, Vines and Trying Times debuts at on the Billboard Top 200 today, selling nearly 250,000 units, a mere ten months after their third studio album A Little Bit Longer debuted at the top of the charts. Jonas Brothers now have two debuts within a ten month period; the last act to have two debuts within a year was Jay-Z when he did it in December 2006 and November 2007. Their triumphant return to the slot is one of 2009’s top debuts, and follows the kick off of their Jonas Brothers World Tour 2009 this weekend at the new Cowboys Stadium in Dallas in front of nearly 50,000 fans. The tour opened to rave reviews and decibel busting cheers for Jonas Brothers’ “in the round” concert.<br /><br />In addition to the Jonas Brothers’ debut in the US, Lines, Vines and Trying Times debuted in Canada, Spain, Brazil, Mexico, Argentina and Central America. Jonas Brothers hosted and performed their hit singles “Paranoid” and “Burning Up” this weekend on the MuchMusic Video Awards in Toronto. Lines, Vines and Trying Times also debuted top ten in the United Kingdom, Italy, Portugal, New Zealand and Ireland. <br /><br />Jonas Brothers have built an astounding presence on line, and boast 1.2 million Facebook friends, 1.3 million mySpace friends and 1.3 million Say Now friends. On YouTube, they are the most subscribed musician channel and overall. It is no surprise that Lines, Vines and Trying Times catapulted to on iTunes on its first day.<br /><br />Jonas Brothers created a media frenzy leading up to the release of their new album. They held weekly Facebook chats with their fans, taking their questions, and previewing songs from the new album. They performed live on The Late Show with David Letterman, Good Morning America in Central Park, Jimmy Kimmel Live from Wembley Arena, and to the largest crowd in history at The Today Show in Rockefeller Plaza. Jonas Brothers were also guests on Larry King Live, and received 8 nominations for the 2009 Teen Choice Awards. Jonas Brothers also return for their second cover story in ten months for Rolling Stone with the new issue hitting stands this Friday. Their cover from last year was the magazine’s highest selling issue of the year.<br /><br />Critics have taken note of their authentic musicality. The New York Times stated, “On ‘Lines, Vines and Trying Times’ the Jonas Brothers continue to specialize in the smartly straightforward: neatly constructed pop-rock songs with shades of the Beatles and the Brill Building.” Billboard’s review stated, “’Paranoid’ furthers the brothers’ evolution as craftsmen of catchy and original-sounding hooks. This songs shines on its own musical merit.”<br /><br /><br /><br />Jonas Brothers World Tour 2009 sold nearly 1 million tickets in its first week on sale, and this Spring, they played to over 200,000 fans in South America. They recently returned from Europe, playing three sold out shows in Madrid, Paris and London. Jordin Sparks and Honor Society are guests on the sold out tour, which includes 5 sold out NY area shows and 3 sold out Staples Center shows in LA.<br /><br />“Jonas Brothers have become a true global touring powerhouse,” said Michael Rapino, President and Chief Executive Officer of Live Nation, the producer of the Jonas Brothers World Tour 2009. “They are in the midst of a hugely successful run of North American stadiums and arenas and then will move on to top arenas in cities across Europe in the fall. The growth of their worldwide fan base has been nothing short of explosive and the momentum we have created together will enable us to continue to develop new territories around the world as we move forward with this unstoppable band.”<br /><br />Earlier this year, Jonas Brothers received their first Grammy nomination, and have won a slew of awards from around the world, including an American Music Award, as well as multiple Kids’ Choice and Teen Choice awards. Worldwide, Jonas Brothers have sold over 8 million albums, and have garnered 36 gold and platinum album certifications.<br /><br />Lines, Vines and Trying Times has been heralded as Jonas Brothers’ most musically ambitious album to date. The future is bright and limitless.<br /><br />Jonas Brothers’ Lines, Vines and Trying Times was released on Hollywood Records. Disney Music Group encompasses all of the Walt Disney Company’s recorded music and music publishing operations including Hollywood Records, Walt Disney Records, Lyric Street Records, Carolwood Records, Buena Vista Concerts and Walt Disney Music Publishing.<br /><br />Jonas Brothers are exclusively managed by Kevin Jonas, Sr., and Philip McIntyre for Jonas Group, and Johnny Wright for Wright Entertainment Group. Creative Artists Agency is the exclusive talent agency representing the group.</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-42124694955094500662010-01-21T22:01:00.000-08:002010-01-21T22:05:35.904-08:00Markus Miller (one of the best bassist in the world)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsbsaV34FCfy5CmoSh4DeTeYerP3MGY1lWuvK730infaN4QpFMqa-mcvaj1oMZ1ltEcbOZ5mVdJR_zy1H0VRIYBhdu00919pfGE3wb7MHr23BmGN7YljDRww19Nj4bY1aduvXQKOSSCc/s1600-h/marcus%20miller.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsbsaV34FCfy5CmoSh4DeTeYerP3MGY1lWuvK730infaN4QpFMqa-mcvaj1oMZ1ltEcbOZ5mVdJR_zy1H0VRIYBhdu00919pfGE3wb7MHr23BmGN7YljDRww19Nj4bY1aduvXQKOSSCc/s320/marcus%20miller.jpg" width="270" /></a><br />
</div><span style="color: blue; font-family: comic sans; font-size: small;"> Marcus Miller, winner of the Grammy Award for Best Contemporary Jazz Album of 2001, was born in Brooklyn in 1959 and raised in Jamaica, New York. He came from a musical family and was influenced early on by his father, a church organist and choir director, as well as his musical extended family (which included the extraordinary Wynton Kelly, jazz pianist for Miles Davis during the late fifties and early sixties!). He displayed an early affinity for all types of music. By the age of thirteen he was already proficient on the clarinet, piano, and bass guitar and had begun composing music. The bass guitar, however, was his love and by the age of fifteen, he was working regularly in New York City with various bands. Soon thereafter, he was playing bass and writing music for flutist Bobbi Humphrey and keyboardist Lonnie Liston Smith<br />
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Miller spent the next few years as a top call New York studio musician, working with Aretha Franklin, Roberta Flack, Grover Washington Jr., Bob James and David Sanborn, among others. He has appeared as a bassist on over 400 records including recordings by artists as diverse as Joe Sample, McCoy Tyner, Mariah Carey, Bill Withers, Elton John, Bryan Ferry, Frank Sinatra, and LL Cool J.<br />
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In 1981, he joined his boyhood idol Miles Davis and spent two years on the road with the fabled jazzman. "He didn't settle for anything mediocre," Miller recalls. "And this helped me develop my style. I learned from him that you have to be honest about who you are and what you do. If you follow that, you won't have problems."<br />
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Miller subsequently turned his attention to producing, his first major production being David Sanborn's Voyeur, which earned Sanborn a Grammy and turned out to be the beginning of a career-long partnership with the alto saxman. Miller later produced various other top selling albums for Sanborn, including Close Up, Upfront, and 2000 Grammy winner Inside.<br />
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For more than twenty years, Miller has also enjoyed a musical relationship with R&B legend, Luther Vandross. "We met in 79 in Roberta Flack's band and instantly connected because we were both so serious about music," Miller recalls. Over the years, Miller has contributed countless hits to Vandross repertoire both as a producer and writer. Those songs include "Till My Baby Comes Home," "It's Over Now," "Any Love," "I m Only Human," and "The Power of Love," which won the 1991 Grammy for R&B Song of the Year.<br />
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In 1986, Miller collaborated again with Miles Davis, producing the landmark Tutu album, the first of three Davis albums he would produce. He has also produced Al Jarreau, the Crusaders, Wayne Shorter, Take 6, Chaka Khan, and Kenny Garrett among others, and Luther Vandross.<br />
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After spending many years as a producer and session musician, Miller focused on his solo career in late 1993 with the release of The Sun Don't Lie. 1995's Tales found Miller re-imagining the landscape of Black music and its evolution over the past three decades. After years of touring and in response to Miller fans pleas, Live & More was released in 1997.<br />
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M2 ("M-squared"), his first release of the new millennium, won the 2001 Grammy for Best Contemporary Jazz Album and was selected by Jazziz as one of the 10 Best CDs of the Year. 3 Deuces Records now debuts The Ozell Tapes: The Official Bootleg, a live double CD. The Ozell Tapes is Miller's compilation of the best of his 2002 tour dates. It's raw, unadulterated, pure funk as only Marcus can do it.<br />
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In the past several years, Miller has also turned his attention to film scoring, composing for House Party (Martin Lawrence), Boomerang (Eddie Murphy and Halle Berry), Siesta (Ellen Barkin), Ladies' Man (Tim Meadows), and The Brothers (Morris Chestnut and D.L. Hughley) and Deliver Us From Eva (LL Cool J). He wrote and produced the old school hit, "Da Butt" for Spike Lee's School Daze soundtrack. Miller further surprised people by composing and performing the score to E.B. White's The Trumpet of the Swan. "I loved getting the opportunity to use jazz to tell a story to kids. Children have much more sophisticated ears than people give them credit for. You really don't have to play down to them. Just keep the music real."<br />
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Whether he's making music for kids or longtime fans, keeping it real is the criteria that steers all of Marcus Miller's music. "I like to keep things balanced, combining R&B, jazz, funk and movie stuff to help reflect what's happening in our world. I just try to keep challenging myself to continue to grow and get better." </span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-90127688925777333632009-11-18T23:06:00.000-08:002009-11-18T23:11:16.283-08:00Mr.Big<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNpDXav1EYSk9HXZo3g3h50_dm_4t2sJzIjvO8JOXQx3-qKeS2XHVxt0FPV_Qg-IG6PmK_BTcfXdLIE7U3y-wrFliQ9aJRJ4M1EG-JaxT5aby3iKpGkFr-esAwTzEk-btnN2Ph2cZIP_M/s1600/mr.big.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 277px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNpDXav1EYSk9HXZo3g3h50_dm_4t2sJzIjvO8JOXQx3-qKeS2XHVxt0FPV_Qg-IG6PmK_BTcfXdLIE7U3y-wrFliQ9aJRJ4M1EG-JaxT5aby3iKpGkFr-esAwTzEk-btnN2Ph2cZIP_M/s320/mr.big.jpg" alt="" id="BLOGGER_PHOTO_ID_5405708311742601554" border="0" /></a><br /><font size="4" color="white" face="comic sans">"Mr.Big got their start when William Roland Sheean (Billy) stepped away from David Lee Roth's first post-Van Halen band, after contributing to two albums and numerous major tours. The Buffalo, New York-born bassist had already honed his considerable skills during a decade spent touring with his band, Talas, but with the recruitment of Martin (Eric) in 1988, he knew the foundation for this ultimate musical venture was well in place. Martin (who was born in Long Island, New York, but grew up all over the world as an Army brat) had already ventured into the light, both with melodic rock-oriented Eric Martin Band, and as a more soul-leaning solo artist.<br /><br />Growing up on U.S. military bases across Europe, the young Martin was introduced to the sounds of Otis Redding and Wilson Pickett. Such influences never ceased to define and motivate his musical pursuits - in his three previous albums, and shaping the character of Mr.Big. The group was made complete with talents of guitarist Gilbert and drummer Torpey. Hailing from Pittsburgh, Gilbert was already a well-respected guitarist who had released four highly-touted albums with his Los Angeles-based band, Racer X. Torpey came to California after playing his dues behind the kit in the Arizona rock community. He soon became a much sought-after road horse, touring with a number of high-profile artists, most notably Robert Plant.<br /><br />Mr Big first broke ground in 1989 with their self-titled Atlantic Records debut, which received extensive radio play with the "Big Love" and "Addicted To That Rush" singles - the latter of which may have prompted labelmates Rush to invite the band on tour. The band returned in 1991 with "LEAN INTO IT", an album that further strengthened their reputation, and, in the process, went RIAA platinum.<br /><br />The album's "To Be With You" single went #1 in Australia, Austria, Canada, Denmark, Germany, Holland, New Zeland, Norway, Sweden, Switzerland, and in the U.S., where the three week chart-topper leapt RIAA gold. Released in 1993, the internationally acclaimed "BUMP AHEAD" garnered solid airplay with the group's deft handling of Cat Stevens' "Wild World." The subsequent tour saw the band opening for Aerosmith during dates across Europe, headlining in front of over 100,000 people at a festival in Sao Paulo, Brazil, and staging three sold-out shows at Tokyo's famed Budokan arena - complete with a Cheap Trick-inspired encore of "Ain't That A Shame." On "HEY MAN", the group brings forth expert chops, strong voice, and a new-found creative punch into album that reminds listeners exactly what it means rock."<br /><br />But what happened in 1997?<br /><br />As Eric Martin said, they needed to stop for a while and be on their own, with their family. In the meanwhile, each member of the band has been busy working on their projects: Eric Martin, published, in 1998, his solo album called "Somewhere in the middle" (Atlantis Records).<br /><br />Featuring a lot of well known musician (Matt Sorum, Billy Duffy, Steve Lukhater and bandmates Paul Gilbert and Billy Sheehan for naming a few) Pat "Torpedo" Torpey released, in the same year as Eric, "Odd Man Out", his album, where you can really hear how he greatly sings and write songs; Pat also published his second work called "Y2K" featuring musician like Derek Sherinian and Pat Regan . Both were released only in Japan.<br /><br />Billy, recorded three albums with Niacin, his critically acclaimed instrumental fusion trio, along with Dennis Chambers and John Novello; The 3 CDs are: "Niacin" dated 1997, "High Bias" 1998, and "Deep" 2000.<br /><br />On "High Bias" you can hear guests like Pat Torpey, Alex Acu馻 and Chick Corea. "High Bias", with Lukather, has seen the appareance of the great Glenn Hughes (Deep Purple bassist and Black Sabbath lead singer), as the singer. Billy released a live (late 1998) with is old band Talas from their sold out show at Kleinhan's Music Hall in Buffalo, New York. Still in the works are a pair of upcoming Billy Sheehan solo albums: one to be a instrumental bass showcase, the other a more song-oriented rock album with Sheehan handling all vocal parts.<br /><br />Paul Gilbert started his solo career with "King of Clubs" in 1998 with John Alderete, Bruce Bouillet his friends from RacerX and having Steve Martin (ex singer of RacerX) at the drumkit. This CD also features Pat Torpey.<br /><br />In 1999 (Mr.Big 10th year's anniversary) the band decided for a reunion, but (sadly) Paul decided not to join back the band, deciding to continue to be a solo musician. "We never wanted to change the band but we didn't know what else to do," says Sheehan. "After a lot of talking between myself, Pat, and Eric, we decided to keep the band going. Once we'd settled that, Richie was the first guy to come to mind." So Richie Kotzen, which has played with Poison and released a few solo albums, joined the band and they released "Get Over It", a more bluesy oriented CD. The song "Superfantastic" has climbed up the top 10 in Japan becoming a great blockbuster single.<br /><br />In the same times, Paul Gilbert has released "Beehive Live" a live CD recorded in Japan which included songs from "King of Clubs" and some brand new songs. In 1999 Paul has published "Flying Dog" and toured in Japan.<br />This year he has decided for a Racer X reunion and they recorded "Technical Difficulties" without Bruce Bouillet which is havining health problems with hands (best whishes Bruce!!). PG also released his third solo album called "Alligator Farm" on June 28 in Japan. Now he is planning to record another Racer X album.</font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-3780718737321543892009-08-14T04:13:00.000-07:002009-08-14T04:15:53.520-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVA_jfxrc_Xq3eRBan0bbt0FmkBCuHYL9HfWLxUZr0gOoT3sRR0Of45ySVAASr17HNGAN3HcqPG86xKRkzOBARi4J13qEoGeYMbtR329-g3RQGSSJhXP902jMj7XxLCe5Ysa0Q0dLkDHw/s1600-h/micahel_jackson-20090626-005-rita.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 306px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVA_jfxrc_Xq3eRBan0bbt0FmkBCuHYL9HfWLxUZr0gOoT3sRR0Of45ySVAASr17HNGAN3HcqPG86xKRkzOBARi4J13qEoGeYMbtR329-g3RQGSSJhXP902jMj7XxLCe5Ysa0Q0dLkDHw/s320/micahel_jackson-20090626-005-rita.jpg" alt="" id="BLOGGER_PHOTO_ID_5369776595610618642" border="0" /></a><br /><span style="font-family:arial black;font-size:100%;color:yellow;">Michael Jackson lahir di Indiana, Amerika serikat, 29 Agustus 1958. Nama asli Michael Jackson adalah, Michael Joseph Jackson. Sebagai referensi Michael Jackson merupakan anak ke – 7 dari 9 bersaudara. Karirnya di dunia musik di mulai sejak umur 5 tahun . Memasuki remaja ia mulai bergabung dengan The Jackson Five. Sebuah kelompok musik bersaudara yang menjadi satu referensi musik manca yang paling direkomendasikan di era 70 an.<br /><br />The Jackson Five sendiri beranggotakan, Jackie, Jermaine, Tito, Marion, dan Michael Jackson sendiri sebagai penyanyinya. Setelah bolak – balik manggung di klub – klub local dan berbagai bar di Gary, Indiana akhirnya atas jasa The Bobby Taylor & The Vancouver di tahun 1968, The Jackson Five mulai kontrak rekaman dengan Motown Records dan pindah ke California dan berhasil mejelitkan 4 hits, yaitu: “I Want You Back”, “ABC”,”The Love You Save”, dan “I ‘ll be There”, yang semuanya berhasil menjadi nomor 1 di tangga lagu Amerika.<br />Di tahun 1976, dari Motown Records The Jackson Five pindah ke Epic Records dan mengahsilkan 6 album. Tahun 1977, Michael Jackson mulai terjun ke dunia Film dengan membintangi sebuah film musikal berjudul : “The Wiz’ Playing Scare Crow”.<br />Dalam film tersebut Michael Jackson bermain bersama Diana Ross. Di tahun yang sama, Michael Jackson bertemu Quincy Jones yang merupakan penulis naskah dari film yang ia bintangi dan kemudian menjadi produser untuk album solo Michael Jackson yang berjudul “Off The Wall” yang cukup sukses dan merupakan album pertama yang mampu menempatkan 4 lagunya menjadi no 1 di tangga lagu Amerika.<br />Di tahun 1982, Michael Jackson merilis album solo keduanya “Thriller” yang merupakan album terlaris sepanjang masa karena berhasil terjual lebih dari 50 juta kopi di seluruh dunia.<br />Di tahun 1984, Michael Jackson berhasil menggondol 8 penghargaan Grammy atas kesuksesan album Thriller.<br />Di tahun 1987, Michael Jackson merilis album solo ketiganya, berjudul “Bad”. Di akhir tahun 80 an Michael Jackson dinobatkan sebagai “Artist of The Decade” atau artis yang paling bersinar selama 10 tahun berkat dua albumnya “Thriller” dan “Bad”.<br />Di tahun 1991, bersama Sony Music, Michael Jackson merilis album “Dangerous” yang merupakan album solonya yang ke-4.<br />Di tahun 1994, Michael Jackson menikahi Lisa Marie Presley, putri mendiang Elvis Presley. Pernikahan ini hanya mampu bertahun 19 bulan. Satu tahun kemudian Michael Jackson merilis album “History”.<br />Di tanggal 14 November 1996, untuk yang ke-2 kalinya Michael Jackson menikah dengan Debbie Rove, seorang perawat yang mengurusi operasi plastic Michael Jackson. Dari perkawinan tersebut mereka di karunia 2 orang anak, yaitu Prince Michael Joseph Jackson dan Paris Michael Katherine Jackson.<br />Bulan Oktober 2001, Michael Jackson kembali merilis album bertitle “Invincible” yang berhasil mejetitkan hit “You Rock My World” dan mulailah beredar kabar terjadi perselisihan antara Michael Jackson dengan Sony Music.<br />Di tahun 2007, Michael Jackson memeluk agama Islam dan meninggal di tahun 2009, tepatnya tanggal 26 juni. Di akhir kematiannya, Michael Jackson sempat dikafankan saat perjalanan menuju Rumah Sakit.</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-13001586505089353932009-05-29T08:35:00.000-07:002009-05-31T23:47:16.232-07:00DAFTAR ISTILAH PADUAN SUARAAqual voices
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<br />Aqual voices adalah suara yg sama jenisnya,seperti suara laki-laki atau suara perempuan saja,atau suara dengan ambitus sama:<span style="font-style: italic;">all tenor </span>atau <span style="font-style: italic;">all soprano.</span> Lawan dari suara campuran (<span style="font-style: italic;">mixed voices).
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<br /><span style="font-style: italic;"></span></span>Blues
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<br />Blues berasal dari perkembangan musik spiritual kaum hitam Amerika.Biasanya bertempo labat dengan irama <span style="font-style: italic;">syncopatis.</span>Disebut blues karena bernada biru,yaitu nada yg diturunkan 1/2 nada pada jarak nada terts,kwint,atau,septimo.Contoh: nada-nada dari tangga nada C mayor,E,G,atau B.Penggunaan nada-nada ini menimbulkan dampak (<span style="font-style: italic;">effect) </span>keragu-raguan antara tangga nada minor dan mayor.
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<br />Bolero
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<br />Bolero merupakan musik tari Spanyol di akhir abad ke-18; diiringi castanets,sepasang bilah kayu yg digerakan oleh ibu jari dan jari telunjuk utk membunyikan suara tepuk kayu dan mengiringi irama tari.Musik ini berirama 3/4 dgn tempo moderato di mana pola irama pada bar pertama lebih kuat daripada bar berikutnya.<span style="font-style: italic;"><span style="font-style: italic;"></span>
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<br /></span><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 11"><meta name="Originator" content="Microsoft Word 11"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Ccyber%5CLOCALS%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place"></o:smarttagtype><o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="City"></o:smarttagtype><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if !mso]><object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id="ieooui"></object> <style> st1\:*{behavior:url(#ieooui) } </style> <![endif]--><style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:18.0pt 90.0pt 9.0pt 90.0pt; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal">Bossa Nova</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Musik tari Brazillia,campuran samba dan <i style="">cool jazz</i>.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Cantata</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Cantata merupakan komposisi utk suara solo,koor,atau kedua-duanya,disertai iringan instrument,serta terdiri dari beberapa gerak musik (<i style="">movement),</i>sekitar aria,duet,recitative,dan paduan suara,Cantata modern sudah seperti <b style="">oratorio</b>,tetapi pada umumnya lebih pendek dan tdk terbatasdalam lagu2 rohani melainkan juga lagu2 sekuler.Mulai muncul pada akhir abad ke-18 dan bias di gambarkan sebagai opera dlm bentuk konser tanpa pakaian seragam,dekor,dan adegan.Cantata juga merupakan perkembangan dari <b style="">madrigal</b>,menjadi bentuk musik vocal penting <b style="">baroque </b>(sampai kira2 thn 1750).</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Caro (Inggris)</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Lagu natal,disebut juga Noel (Prancis) atau Weihnachtslied (Jerman).Pada awalnya di Inggris,carol digunakan utk lagu2 gy mempunyai refrain tertentu yg disenut <b style="">burden</b>.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Chord </p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Bunyi serempak dari dua nada atau lebih.Ilmu tentang hubungan antara berbagai macam susunan nada2 itu adalah ilmu harmoni.Chord terdiri dari beberapa interval suatu tangga nada.Chord yg paling sederhana adalah <b style="">triad</b>,yaitu bunyi serempak <b style="">3 buah nada</b>,atau istilah teknisnya 2 buah terts bertindih.</p> <p class="MsoNormal">Tert dasar adalah C-E dan terts di atasnya adalah E-G.Chord yg terdiri dari C-E-G dinamai sesuai nama dasar atau akarnya.Karena itu dlm tangga nada C mayor terdapat 7 nama chord sesuai dgn nama nada akar dan interval tert-nya.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Couterpinot (Inggris),Kontrapuknt (Jerman)</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Teknik penggabungan dua atau lebih lagu (melodi),yg dinyanyikan/dimainkan bersama sama,tetapi menghasilkan harmoni yg enak didengar.Sebenarnya,counterpoint identik dgn polyfoni.Polyfoni disukai pada abad pertengahan (abad 9 sampai kira2 thn 1500).Sedangkan teknik counterpoint memasuki musik pada abad 16 sampai abad ke-18.Banyak ciptaan musik yg contrapuntal berdasarkan teknik counterpoint seperti lagu2 Canon dan Fugue.Ada juga pemakaian counterpoint pada bagian2 tertentu dari ciptaan musik.Puncak musik counterpoint tercapai pada abad ke-16 yg ditemukan pada musik,motet madrigals dan mass dari komponis2 Byrd,Palestrina,Lasso,dan Victoria.Komponis terbesar dari musik counterpoint ini adalah Bach.Hal ini sangat jelas terdapat dlm semua ciptaan2 terutama dlm permainan ketboard/piano dan clavier.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Credo (Latin)</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Artinya saya percaya.Credo merupakan seksi ketiga dari kebaktian gereja Roma Katolik.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Etude </p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Permainan instrument musik utk peningkatan mutu teknik,biasanya dgn meteri2 sulit utk mencapai permainan yg indah.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Funeral march</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Mars duka pada waktu pemakaman dgn tempo yg lambat.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Gregorian (abad 6)</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Musik vocal chant,plain chant,plain song,sesuai nama Paus Gregorius I (thn 590-604); musik vocal yg di gunakan utk pelayan gereja2 Katolik.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Hymne</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Lagu religius yg mengekspresikan pujian dan kasih kepada Allah.Pencipta pertama lagu hymne berasal ndari Siria (abad ke-4) kemudian Yunani dan Katolik.Roma (abad berikutnya).Kini banyak lembaga pemerintah dan nonpemerintah,termasuk partai politik memiliki laguhymne utk menyatak puji dan kasih kpd Allah,dan doa agar cita2 lembaga didengar-Nya.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Interludium (Interlude,Inggris)</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Interludium adalah permainan musik pendek yg diselipkan di antara ayat2 lagu atau bagian2 komposisi musik.Musik pendahulunya disebut <b style=""><span style=""> </span>preludium </b>dan pada bagian akhir disebut <b style="">postlidium.<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Jam</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Pertunjukan tdk resmi musik jazz atau rock atau penyanyi lagu2 rakyat.Dalam pertumbuhan nya juga meliputi permainan improvisasi.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Jazz</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Bermuladari karya para pekerja kulit hitam Amerika di bagian selatan pada permulaan abad ke-20,kemudian beralih ke Chicago.Semula mengandalkan musik spiritual kemudian blues,<i style="">ragtime</i> dari abad ke-19.Orang2 kulit putih Amerika membuat imitasi dgn melibatkan unsur2 alat tiup logam(<i style="">brass marching band</i>) dan pada akhirnya dgn alat musik dawai (<i style="">string band) </i>yg mengiringi acara dansa dan pesta.Pemain piano <i style="">ragtime</i> dgn iringan banjo dan alat2 musik lainnya memberi jazz satu keistimewaan tersendiri,yaitu irama syncope dgn tekanan pada <i style="">beat</i> yg tdk terduga dan tdk merata.Hal ini menjadikan musik jazz berirama rumit dan sulit dituliskan secara akurat dalam partitur.Lagu2 jazz biasanya adalah lagu2 blues dgn iringan gitar dan menggunakan beberapa nada2 biru (<i style="">blue notes</i>),yaitu nada2 yg direndahkan ½ nada dari tingkat terts,kwint,dan septimo,di imprvisasi dan dijadikan nada2 baru.Di pangkalan jazz New Orleans (Dixieland),kelompok jazz menggunakan alat musik tiup dan rhytm section.Cornet dan terompet bersama clarinet dan trombone membawakan melodi.Terompet dan Cornet memimpin permainan,sementara clarinet dan trombone membuat harmoni pada nada2 tinggi dan rendah.Rhytm section dibentuk oleh gitar,bass,dan drum.Ada juga band yg memainkan banjo,piano, keyboard,dan tuba.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Kanon 1</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Komposisi musik atau seksi dari komposisi yg melodinya dimainkan dlm satupart suara (<i style="">voice </i>par) kemudian ditirukan oleh satu atau lebih part suara lainya.Kanon yg digemari anak2 adalah lagu2 kanon anak2 seperti lagu “Three Blind Mice”,”Row,Row,Row Your Boat”.Kanon seperti ini disebut juga <i style="">perpetual canon </i>karena tiap part,sesampainya di akhir melodi di mulai lagi dari permulaan melodi,dst <!--[if !supportLineBreakNewLine]--> <!--[endif]--></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Kanon 2</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Kanon 2 yg popular di Indonesia dan diajarkan disekolah dasar (SD) adalah lagu sederhana yg dinyanyikan berulang-ulang.Biasanya terdiri dari 4 kalimat(A,B,C,D).</p> <p class="MsoNormal">Penyanyi nya dibagi menjadi 4 kelompok.Kelompok 1 menyanyikan seluruh lagu disambung oleh kelompok 2 dari kalimat A pada waktu kelompok 1sudah memasuki kalimat B,sedangkan kelompok 3 baru mulai sesudah kelompok2 sampai pada kalimat B dst.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">
<br /></p><p class="MsoNormal">Konduktor (Dirigent,Belanda)</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Pemimpin yg mengarahkan kemlompok penyanyi atau pemain alat2 musik agar bermain bersama-sama,serempak dlm tempo,dinamika,irama,pengkalimatan(<i style="">phrasing</i>),artikulasi,dan interpretasi yg tepat sesuai komposisi yg mereka mainkan.Adalah hal yg wajar apabila interpretasi konduktor berlainan dgn kehendak komponis,namun konduktor harus berupaya agar interpretasi nya mendekati/pas seperti yg dikehendaki komponis dlm memimpin,ada konduktor yg menggunakan tongkat,ada yg hanya menggerakan tangan nya ,atau kedua-duanya.Konduktor boleh menggunakan gerak wajah, kepala,mata,dan seluruh badannya utk menandakan semua kehendak yg diinginakn sesuai dgn komposisi musik.Dulu dlm kelompok orkestra konduktor boleh memimpin dari tempat duduk atau berdirinya sambil ikut bermain.namun kini konduktor menjadi pemimpin dgn berdiri di depan tanpa bermain kunduktor harus berbagai gaya dan periode musik,misalnya karya Mozart,Bach,Schoenberg.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Konser <o:p></o:p></b></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Pertunjukan musik utk umum,biasanya melibatkan permainan solo atau duet yg disebut juga <b style="">recital</b>.Opera dapat juga digolongkan dalam pertunjukan konser apabila penampilannya tanpa kostum,lakon,dan,dekor.Pertunjukan musik popular juga boleh disebut konser,tetapi tanpa menghiraukan nomor-nomor yg ditampilkan para pemain.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Madrigal <o:p></o:p></b></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Pada permulaan abad ke-4 di Italia beberapa jenis sajak dipakai sebagai bahan komposisi musik dgn dua bagian suara:bagian atas diperuntukan sebagai hiasan(<i style="">ornament)</i> yg lebih rumit dibandingkan bagian bawah.Sajak itu terdiri dari 2 atau 3 stanza,dan 2 baris pada seksi penutup disebut ritornello.</p> <p class="MsoNormal"><span style=""> </span>Pada abad ke-16 di Inggris dan Italia,teks musik madrigal diciptakan dalam bentuk bebas dgn syair2 indah.Musik nya bermaksud utk mempertinggi mutu unsure keindahan dan liriknya.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Maestoso (Italia)<o:p></o:p></b></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Penampilan dgn cara megah,mulia,agung,dan bermartabat.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Marcato (marc)<o:p></o:p></b></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Pembawaan dgn tekanan pasti.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">March,Marcia,alla Marcia,mars<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Komposisi musik sederhana dgn irama kuat dan kalimat musik teratur.Biasanya dlm birama genap 2/4,4/4,tetapi kadang2 dlm birama 6/8 atau 2 (genap) x 3/8 dgn tempo cepat>.Pada umumnya mars tertulis dalam 3 bagian yg disebut <b style="">ternary,</b>yaitu A (seksi pembukaan),B(seksi tengah) gy disebut <b style="">trio </b>dgn kunci subdominant atau kwart dan nada dasar seksi A dan seksi C.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Mass <o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Satu jenis musik religius yg terpusat di Gereja Katoilik dgn melodi sederhana seperti lagu Gergorian.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Medley<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Beberapa lagu atau musik yg dimainkan sambung-menyambung tanpa jeda.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Melodrama<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Musik yg umumnya dipakai dlm opera,di mana pelaku utama menceritakan bagian dari carita itu selama istirahat.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Musik aleatory<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Musik yg tergantung pada komponis dgn segala kemungkinan2 baik tempo,dinamika,hukum2 matematika dan kemungkinan bagaimana mempertunjukannya.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Musik atonality<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Musik atonality adalah gaya komposisi yg menghindrai <b style="">pusat nada.</b>Pusat nada adalah nada2 yg telah ditetapkan dari 12 nada dalam satu oktaf lengkap dgn nada2 kromatis dan kunci2 musik yg pasti dan ditetapkan,sebagai lawan dari <b style="">musik tonal</b> <span style=""> </span>dgn segala rumus2 nadanya.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Musik konkrit (musique concrete)<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Musik konkrit adalah semacam musik berdasarkan suara nyata (<i style="">real/concrete sound</i>),sperti suara jalanan,suara makhluk,suara sirine,suara guruh,dsb.Musik ini tdk utk dipertunjukan,melainkan hanya diselip-selipkan pada rekaman2 musik.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Musik modern<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Musik modern adalah musik abad ke-20.Nama umumnya <st1:place st="on"><st1:city st="on">gaya</st1:city></st1:place> musik yg berkembang sekitar thn 1900-an.Nama2 aliran musiknya antara lain musik elektrik,musik aleatory,atonality,expresionisme,musik konkrit,neo klasik,dan serial musik.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Musik serial<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Musik serial adalah komposisi musik yg berdasarkan rangkaian khusus dari nada2 pich,irama,dinamika,atau unsur2 lainnya yg berulangkali pada seluru komposisi.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Neo-classic<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Neo-classic adalah kebangkitan kembali <st1:place st="on"><st1:city st="on">gaya</st1:city></st1:place> bentuk musik teristimewa musik baroque dan klasik(1600-1800)oleh komponis2 muda abad ke-20 seperti Ferruccio Busoni(asal Italia-Jerman),Aaron Copland,Roy Harvis dan Elliot Carter,Stravinsky,Hindemith.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">New age<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">New age adalah gaya instrumental musik popular yg mencampurkan unsur2 rock jazz,musik minimalis ked lm suara2 lembut dgn iringan solo piano,gitar,orkes kecil,gabungan instrument akustik dan elektrik dalam permainan improvisasi dgn harmoni sederhana.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Opera<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Opera adalah sandiwara/drama di mana karakter kata2 dinyanyikan agak seperti diucapakan yg biasanya diiringi oleh instrument musik.Opera dimainkan di atas panggung dgn pakaian sesuai cerita,layer,dan penerangan di mana penyanyinya melakonkan cerita dgn bernyanyi.Opera biasanya diiringi oleh orkestra lengkap yg di tempatkan di atas panggung lebih rendah dari panggung utama yg disebut <b style="">pit</b>.Teks opera disebut libretto terdiri atas beberapa seksi yg disebut <b style="">act.</b>Lagu2 vokal opera menjangkau aria2 recitative,duet,trio,kwartet,sampai apduan suara lengkap.Walaupun telah diketahui asal mula permainan kombinasi antara drama dan musik adalah dari Yunani Kuno,opera sebagai bentuk musik lahir pada thn 1590-an di Florence,Italia .Pada waktu itu sebuah kelompok bangsawan yg dinamakan Camerata berusaha mengadakan perubahan penyegaran drama klasik Yunani ke musik.</p><p class="MsoNormal">
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name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><style> <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:612.0pt 792.0pt; margin:18.0pt 90.0pt 9.0pt 90.0pt; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} </style> <![endif]--> </p><p class="MsoNormal"><b style="">Operetta<o:p></o:p></b></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Operetta adalah opera yg subjek dan pelaksanaannya seserius opera.Subjeknya adalah cerita2 sentimental,lucu,atau terkadang bermuatan satire (sindiran2),musiknya adalah music popular dan atau music rakyat.Tidak semua lakon caritanya dinyanyikan.ada juga bagian2 liriknya diucapkan dgn kata2,ada ada juga bagian yg dinyanyikan dan ditarikan.Operetta muncul pada pertengahan abad ke-19,komponis Jacques Offenbach dari Prancis menulis beberapa cerita operetta berisi semacam cerita ejekan (parody) dari mitos Yunani yg disebut <b style="">opera bouffe.</b>Franz von Suppe (1819-1895) dari Austria adalah komponis pertama yg menulis kira2 30 buah operetta jenis tsb.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Oratorio<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Oratorio adalah jenis teks music panjang utk para pemain tunggal (solois)paduan suara,dan orchestra.Biasanya teksnya berdasarkan <span style=""> </span>ayat2 dari ktab suci (<i style="">bible)</i>,tapi juga beberapa sekuler.Oratorio dipertunjukan tanpa layar panggung,pakaian seragam,dan adegan2.Ceritanya diucapkan melalui music yg terdri dari recitavio solo,seksi yg diucapkan berupa kata2 (<i style="">speechlike section</i>) utk solo (aria),duet,kwartet,kelompok vocal kecil dan paduan suara.Pada umumnya orchestra lengkap sangat berperan mengiringinya.Oratorio berasal dari kata <i style="">oratory</i>,yaitu sebuah ruangan dalam gedung gereja tempat para pemimpin mengadakan pembicaraan,persiapan pelayanan berupa sermon dan lagu2 pujian yg disebut <b style="">lauda</b>,yg dinyanyikan di Italia di akhir abad ke-16 yg diprakarsai oleh pemimpin rohani St.Fillipo Neri.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Parlando (Italia=berbicara)<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Parlando adalah pembawaan music vocal dgn cara seperti berbicara jelas,biasanya sangat cepat dan diucapakan dengan hati2 (bahasa Jerman:<b style="">Sprechstimme</b>=suara berbicara).</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Passionate (Italia)atau con passion<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Passionate adalah pembawaan penampilan dgn perasaan yg sungguh2 tinggi.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Perbaikan chord (<i style="">inversion)<o:p></o:p></i></b></p> <p class="MsoNormal"><b style=""><i style=""><o:p> </o:p></i></b></p> <p class="MsoNormal">Misalnya,jika nada dasar C dlm chord C-E-G dibalikan 1 oktaf ke atas menjadi chord E-G-C maka perbalikan ini disebut chord C – perbalikan pertama di mana nada E menjadi nada terndah.Chord ini disebut chord C perbalikan pertama (<i style="">first inversion</i>),atau bisa juga disebut chord 6/3 karena interval dari nada terendah E ke chord G adalah interval 3 (<i style="">thrird</i>) dan interval E ke C (nada tinggi) adalah interval 6 (sixth).Karena itu chord C perbalikan pertama disebut juga chord 6/3.Selanjutnya apabila perbaikan pertama E-G-C,nada terendahnya,maka chord ini disebut chord C perbalikan kedua (<i style="">second inversion</i>).Karena interval nada terendah (G) dgn nada tertingginya (E) adalah interval 4 (<i style="">fourth</i>) dan interval nada terendahnya (G) dgn nada di atasnya C adalah interval 4 (<i style="">fourth</i>) dan interval nada terendah (G) dgn nada tertinggi nya (E) adalah interval 6(<i style="">sixth</i>),maka chord Cperbalikan kedua ini disebut juga chord 6/4.</p> <p class="MsoNormal">Ada juga chord yg lebih luas lagi,yaitu jika di atas chord2 seperti diterangkan di atas ditambahkan lagi sebuah interval terts.Umpamanya C-E-G-B.</p> <p class="MsoNormal">Disebut chord C7 karena interval tertinggi nada dasar C adalah interval 7 (<i style="">seventh</i>).Demikian sterusnya dgn chord2 C9,C11,C13 dgn segala perbaikannya.Kalau ditambah lagi,sama dgn chord semula tapi dlm oktaf lainya.</p> <p class="MsoNormal"><span style=""> </span>Tiap nada dari sebuah tangga nada,misalnya tangga nada C mayor,dapat dijadikan menjadi nada akar utk membentuk chord.Dalam tangga nada tsb terdapat 7 nada (C,D,E,F,G,A,B) yg masing2 dapat <span style=""> </span>membentuk chord.Tujuh nada tsb,yg menjadi nada akar dari chord diatonic dpt diidentifikasi dgn angka2 Romawi sesuai serajat ketangganya,yaitu chord I,II,III,IV,V,VI,VII,.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Polka <o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Music tari berirama 2.4 berasal dari tari Bohemia (kini bagian dari Republik Czech) pada permulaan abad ke-10.Komponis Bohemia Smetana dan Dvorak menggunakan polka dlm ciptaan music seriusnya.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Polonaise<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Music tarian dlm birama ¾ dan tempo moderato,yg diulang terus –menerus secara teratur.Dia cenderung memakai cadence feminine,di mana <i style="">beat-</i>nya lembut pada ketukan kedua dan ketiga setelah ketukan pertama seperti yg dapat dijumpai dlm komposisi Chopin,J.S.Bac,dan putranya Wilhem Friedemann.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Polyfoni<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Karya music yg memainkan lebih dari satu part suara,misalnya suara 1 (sopran),suara 2 (alto),suara 2 (tenor),suara 4 (bass
<br />),dan suara lainnya,tiap suara bisa berdiri sendiri sendiri sebagai sebuah melodi,namun dgn polyfoni pentatonic music Asia,termasuk gamelan.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Polytonality<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Pemakaian 3 atau lebih kunci pada waktu bersamaan penggunaan 2kunci disebut bitonality.Polytonality banyak terdapat dalam ciptaan Stravinsky,Bartok,dan Milhaud.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Portamento<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Tekinik vocal yg menyelipkan suatu nada lainnya dgn begitu cepat sehingga <i style="">pitch-</i>nya tdk dapat dibeda-bedakan lagi.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Pre-classic<o:p></o:p></b></p> <p class="MsoNormal">Zaman antara baroque(1600-1750) dan klasik 1785-1820).Zaman permainan dinamika yg kontras:tempo lambat dan cepat,suara lembut dan kuat.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Classic (1785-1820)<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Gaya music seni (<i style="">art music </i>).Komponis2 nya anatar lain Haydn,Mozart,dan Beethoven,termasuk pengikutnya,misalnya Schubert,yg bergaya romantic.Karakter utama music ini adalah elok sekali (<i style="">elegant</i>),formal,serius,dan terkendali,sebagai kebalikan dari music rakyat,pop,dan music yg menekankan perasaan individu seperti yg dianut oleh komponis romantic.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Pressando,presto<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Pembawaan permainan music yg semakin cepat.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Presto assai<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Tempo semakin cepat.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Qanun<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Alat music berdawai dari Arab yg dipetik dan dimainkan mulai abad ke-10 hingga kini di Mesir,Siria,irak,dan Turki.Qanun dipakai sebagai alat music penuntun (<i style="">leading instrument</i>) orchestra tradisional Mesir,yg terdiri dari alat2 tiup (seruling),kecapi, dan biola.Orkes macam ini dimainkan juga di India dan Indonesia.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Ragtime<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Ragtime adalah music tari Amerika pada permulaan abad ke-20,berkembang dari music band dan vocal.Sebenarnya ragtime menjadi corak pokok permainan piano.Harmoni dan melodi biasa saja,tapi gebukan iramanya dimanfaatkan oleh tangan kiri,sementara tangan kanan memainkan bagian yg sangat sinkropatis.Ragtime berirama 2/4 atau 4/4,dan aksennya tdk terduga dan tdk merata.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><b style="">
<br /></b></p><p class="MsoNormal"><b style="">Rap<o:p></o:p></b></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal">Semacam ocehan (yg kadang2 bersajak) dari music reggae,rck,atau music tari popular lainnya.Muncul pada akhir thn 1970-an dikalangan kaum berkulit hitam Amerika di New York City.Ocehan itu membentuk suatu irama .Dalam perkembangan selanjutnya,liriknya memuat hal2 yg controversial berupa kemarahn,kutukan,pornografi,homophobia,dan separatism warna kulit.Sebenarnya sejak permulaan abad ke-20,Indonesia sudah mempunyai lagu2 rap,terutama di kalangan org Batak.Sperti lagu”Sik-sik Sibatu Manikkam”.Lagunya sangat miskin nada melodi,kata-katanya tdk begitu berate,tetapi iramanya berulang-ulang menimbulkan kesan lucu.Lagu rap ini bisa di dahului atau pun diakhiri dgn lagu2 padanan atau lagu rakyat jenaka Batak lainnya.Ada lagu rakyat pentatonic Batak yg popular di tanah Batak pada akhir abad ke-19 danpermulaan abad ke-20 yg dinyanyikan pada malam bulan purnama oleh anak2 dan remaja,secara solo dan koor,berjudul “O,Tulang”,yg pada bar ke-5 dinyanyikan dgn cara rap dan oleh semua (<i style="">tutti</i>) peserta anak2 dan remaja sampai selesai.</p> <p class="MsoNormal"><o:p> </o:p></p> <p></p> <p class="MsoNormal"><b style=""><o:p> </o:p></b></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><o:p> </o:p></p>
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<br /></span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com1tag:blogger.com,1999:blog-690579573857716857.post-87286896016259537882009-04-23T20:34:00.000-07:002009-04-26T19:26:18.039-07:00Eagle<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX5k2cYi7XjQ8dD-osxwM55yqAYLqz1ukOGZWDwKm2KbxDjBe3gt8pjldGwCalBVZsdu-QuAW9BCONr8J_yXwHoBPKY_zpVfncegTn_r_HkpKPhR3XsynUvgNTw5hyphenhyphen1b8mGkbdrltTVyM/s1600-h/eagles.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 158px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX5k2cYi7XjQ8dD-osxwM55yqAYLqz1ukOGZWDwKm2KbxDjBe3gt8pjldGwCalBVZsdu-QuAW9BCONr8J_yXwHoBPKY_zpVfncegTn_r_HkpKPhR3XsynUvgNTw5hyphenhyphen1b8mGkbdrltTVyM/s320/eagles.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5328097930410261762" /></a><br /><font size"3" color="gray" face="comic sans ms">Eagle merupakan grup band sukses dengan album dan singel yang terjual hingga lebih dari 100 juta copy diseluruh dunia. Band yang dibentuk ditahun 1972 ini, awalnya hanya sebagai band pengiring konser penyanyi Linda Ronstadt.<br /><br />Selepas menjadi band pengiring selama dua bulan, empat personel awal Eagles yaitu Glenn Frey, Bernie Leadon, Randy Meisner dan Don Henley sepakat membentuk grup band sendiri dengan nama Eagles. Nama itu mereka pilih sebagai penghormatan kepada salah satu band idola mereka "The Bird". Ditahun yang sama, Eagles mengikat kontrak dengan Asylum Label, perusahaan rekaman yang saat itu juga baru berdiri.<br /><br />Pada bulan Juni 1972, Eagles meluncurkan album perdana mereka yaitu,"Eagles" yang sukses dan langsung menghasilkan tiga singel yang masuk jajaran top 40, yaitu "Take It Easy", "Witchy Woman", dan "Peaceful Easy Feeling".<br /><br />Band asal Los Angeles, california ini merilis album kedua mereka ditahun 1973. Album berjudul "Desperado" mereka rekam di Island Studio, London, Inggris. Dari album ini muncul lagu hits yaitu; "Desperado", '"Tequila Sunrise" dan "Outlaw Man".<br /><br />Album keempat Eagles dirilis tahun 1974 yaitu "On The Border". Pada album ini pulalah, Don Fedler bergabung bersama Eagles. Album "On The Border" sendiri menghasilkan no.1 hits singel pertama bagi Eagles yaitu lagu "Best Of My Love".<br /><br />Eagles merilis album keempat mereka "One Of These Night" di tahun 1974. Album ini menelurkan no.1 hits kedua yaitu "One Of These Night", dan satu Grammy Award dari lagu "Lyin' Eyes" untuk kategori Best Pop Performance By a Duo or Group with Vocal.<br /><br />Album keempat ini juga menandai perpecahan ditubuh band Egales. Salah satu personelnya, Bernie Leadon, meninggalkan band itu ditengah-tengah tur. Leadon hengkang lantaran perbedaan pendapat soal perubahan jenis musik band itu yang cenderung menjadi hard rock ketimbang akarnya yaitu country. Untuk dapat melanjutkan tur mereka, Eagles akhirnya merekrut Joe Walsh sebagai pengganti Leadon.<br /><br />"Hotel California" merupakan album klasik band ini. Dirlis tahun 1976, album kelima Eagles ini menghasilkan dua no.1 hits singles, yaitu; "New Kid in Town" dan "Hotel california", dua lagu ini juga memenangkan perhargaan gramy award masing-masing untuk kategori "Record Of The Year dan Best arrangement For Voices".<br /><br />"Hotel California" juga menjadi album best selling Eagles dengan terjual sebanyak 16 juta copy saat itu di AS. Hanya saja, setelah tur album ini, satu lagi personel Eagles, Randy Meisner juga meninggalkan band ini. Berbeda dengan Leadon, Randy Maisner hengkang untuk bersolo karir, posisinya kemudian digantikan Timothy B. Schmit.<br /><br />Masih ditahun 1976, Eagles juga merilis album kompilasi mereka "Their Greatest Hits (1971-1975)''. Album kompilasi ini tercatat seabgai best selling album dalam sejarah musik AS. Album tersebut terjual hingga 29 jut acopy di AS saat itu dan hingga kini telah terjual 42 juta copy diseluruh dunia.<br /><br />Tahun 1977, Eagle merilis album keenam mereka yaitu; "The Long Run" yang menghasilkan satu no.1 hits singel yaitu "Heartache Tonight". Album ini juga menandai perpecahan total Band ini. Puncaknya terjadi saat konser mereka di long beach, California tahun 1980. Eagles resmi bubar setelah album live konser mereka "Eagle Live" dirilis ditahun yang sama.<br /><br />14 tahun setelah bubar, tahun 1993 Band yang namanya telah masuk Rock & Roll Hall Of Fame ini meluncurkan album kompilasi mereka "Common Thread" yang kemudian mewujudkan reuni band ini tahun 1994. Reuni Eagles kemudian diisi dengan beberapa konser dengan formasi 5 orang personel yaitu Frey, Henley, Walsh, Felder dan Schmit.<br /><br />"Untuk dicatat, kami tidak pernah bubar, 14 tahun ini kami hanya libur," kata Frey saat konser pertama mereka ditahun 1994.<br /><br />Ditahun yang sama mereka merilis album live konser yaitu "Hell Freezes Over" yang berhasil menjadi no.1 album di tangga lagu bilboard. Dalam album ini terdapat lagu yang menjadi Billboar no.1 hits, yaitu "Love Will Keep Us Alive". Namun, perpecahan kembali terjadi pada band ini, puncaknya ketika Don Felder resmi dipecat ditahun 2003. Hingga kini Eagles masih terus berkarya, terakhir mereka merilis album berjudul "Long Road Out Of Eden" ditahun 2007.<br /><br /> INI LAGU NYA YG "LOVE WILL KEEP US ALIVE"<br /><br />Date: Fri, 19 Dec 1997 18:01:29 -0800<br />From: "Ferdinand G. Lasala" <br />Subject: CRD: e/eagles/love_will_keep_us_alive.crd<br /><br />Artist : Eagles<br />Album : Hell Freezes Over<br />>From : arthur.gitariz@hotmail.com<br /><br />Intro: A-F#m-D-E-A<br /><br />A<br />I was standing <br /> F#m<br />All alone against the world outside<br /> D<br />You were searching<br /> E<br />For a place to hide<br /> A<br />Lost and lonely<br /> F#m<br />Now you given me the will to survive<br /> D E A<br />When we're hungry... love will keep us alive<br /><br />(Do Stanza Chords A-F#m-D-E-A)<br />Don't you worry<br />Sometimes you've just gotta let it ride<br />The world is changing<br />Right before your eyes<br />Now I've found you<br />There's no more emptiness inside<br />When we're hungry... love will keep us alive<br /><br /> D<br />I would die for you<br />F#m<br />Climb the highest mountain<br />Bm E-D-C#m-B<br />Baby, there's nothing I wouldn't do<br /><br />(Do Stanza Chords A-F#m-D-E-A)<br />Now I've found you<br />There's no more emptiness inside<br />When we're hungry... love will keep us alive<br /> <br /> D<br />I would die for you<br />F#m<br />Climb the highest mountain<br />Bm E-D-C#m-B<br />Baby, there's nothing I wouldn't do<br /><br />(Do Stanza Chords A-F#m-D-E-A)<br />I was standing<br />All alone against the world outside<br />You were searching<br />For a place to hide<br />Lost and lonely<br />Now you given me the will to survive<br />When we're hungry... love will keep us alive<br />When we're hungry... love will keep us alive<br />When we're hungry... love will keep us alive<br /><br /></font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-91212542803781334302009-04-21T01:22:00.000-07:002009-04-21T01:34:53.452-07:00elvis presley<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWbeit-mzLsukvBBEhFn6FunCGgE6ewv6jfdso7CEl0zNdjSPCYuGqS-_vETQLvICNNlGOUCgkiA4TqTCv1lPWHHW1GKgeVMhgzOqwGYEPqJthfdOQ7M1aGzFqngfecX340xySTE9X-uw/s1600-h/elvis.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWbeit-mzLsukvBBEhFn6FunCGgE6ewv6jfdso7CEl0zNdjSPCYuGqS-_vETQLvICNNlGOUCgkiA4TqTCv1lPWHHW1GKgeVMhgzOqwGYEPqJthfdOQ7M1aGzFqngfecX340xySTE9X-uw/s320/elvis.jpg" alt="" id="BLOGGER_PHOTO_ID_5327060055914156274" border="0" /></a><br /><span style="font-family:comic sans ms;font-size:85%;color:blue;">Elvis Aron Presley<br />Laki-Laki<br />Tupelo, Mississippi, Amerika Serikat, 08 Januari 1935<br /><br />Tinggi Badan : 184 cm<br /><br />Biografi :<br />Elvis Aron Presley lahir 8 Januari 1935 di Tupelo, Mississippi adalah seorang penyanyi rock 'n' roll legendaris Amerika Serikat. Elvis juga dikenal dengan "The King" dan "The King of Rock 'n' Roll". Selain penyanyi, The King adalah seorang produser musik dan aktor.<br /><br /><br /><br />Berkat lagu-lagunya yang memadukan irama rock 'n' roll dengan lagu-lagu ballad, dunia rock 'n' roll memperoleh fondasi komersial yang selanjutnya dapat dikembangkan musisi rock 'n' roll penerusnya.<br /><br />Pada masa kejayaannya, konser-konser Elvis dihadiri penggemarnya (kebanyakan remaja) dalam jumlah yang sangat besar. Gaya, sifat, serta cara berpakaiannya menjadi simbol bagi musik rock 'n' roll dan banyak ditiru penggemarnya. Bahkan 4000 remaja Inggris menahbiskan Elvis sebagai raja trendsetter tata rambut sepanjang zaman.<br /><br />Awal perkenalan Elvis dengan dunia rekaman di mulai saat musim panas 1953. Elvis membayar US$3,98 untuk merekam dua buah lagu di perusahaan Sun Studios sebagai hadiah ulang tahun bagi ibunya. Pendiri Sun, Sam Phillips, tertarik pada suaranya dan memanggilnya pada Juni 1954 untuk mengisi posisi penyanyi ballad yang sedang kosong.<br /><br /><br /><br />Tahun 1956 merupakan awal karir Elvis sebagai penyanyi profesional. Tanggal 27 Januari Elvis merilis single pertamanya Heartbreak Hotel, dibawah label RCA Victor Records. Tanggal 23 Maret, RCA merilis album pertama Elvis , bertajuk: ELVIS PRESLEY.<br /><br />Pada tahun yang sama, 16 November, film pertama Elvis, LOVE ME TENDER, diluncurkan. Film ini menuai banyak kritik, namun mendapat angka penjualan yang sangat baik. Secara keseluruhan Elvis tampil dalam 31 judul film.<br /><br />Hasil penjualan album perdana Elvis meledak menjelang akhir 1950-an dengan hit-hitnya, antara lain All Shook Up, (Let me be your) Teddy Bear dan I Need Your Love Tonight. Meskipun demikian, banyak kritikus tidak terkesan. Selain itu, penampilan Elvis di panggung banyak menuai kritik, karena dianggap sebagai pornografi.<br /><br />Bulan Desember 1957, Elvis dipanggil untuk ikut tugas militer dengan Angkatan Bersenjata AS. Ia resmi masuk Angkatan Bersenjata pada 24 Maret 1958, kemudian ditugaskan di Jerman, dan dilepastugaskan dengan hormat dua tahun kemudian.<br /><br />Sekembalinya dari wajib militer, karir musiknya sempat meredup akibat "diganggu" profesi lainnya sebagai aktor dan hilangnya peranan dia dalam memilih jenis lagu yang ia mainkan. Selain itu, terjadi kebangkitan musik Britania/Inggris (British Invasion; The Beatles, The Rolling Stones, dan lain-lain).<br /><br />Elvis melakukan comeback, yang sukses melalui penampilan televisi pada 3 Desember 1968 berjudul '68 Comeback Special. Karir musiknya kembali bersinar setelah ia mendapatkan kesempatan dalam acara tersebut untuk bermain dalam jalur yang paling ia sukai, rock 'n' roll.<br /><br />Pada tahun berikutnya, Elvis memulai penampilan live yang laris di berbagai tempat, diawali dari Las Vegas dan berlanjut negara-negara bagian lainnya di Amerika Serikat. Antara tahun 1969 dan 1977, The King of Rock 'n' Roll tampil dalam 1.000 acara yang tiketnya terjual habis.<br /><br />Akibat kecanduan obat-obat dokter seperti obat tidur, kesehatan dan penampilannya mengalami penurunan sekitar pertengahan 1970-an. The King tampil untuk terakhir kalinya dalam sebuah konser di Market Square Arena di Indianapolis, Indiana tanggal 26 Juni 1977.<br /><br />Pada 16 Agustus 1977, Elvis ditemukan meninggal dunia di rumahnya di Graceland, Memphis akibat serangan jantung. Saat itu ia berusia 42 tahun.<br /><br />Raja Bhumiphol Adulyadej dari Thailand, Raja Nepal pernah ngobrol langsung dengan Elvis. Bahkan Presiden Rusia Boris Yeltsin sangat menyayanginya. Presiden AS Jimmy Carter meratapi kematiannya. Lucunya juga, Presiden George Bush pernah menemani PM Jepang Koizumi (penggila Elvis) datang Graceland, istana abadi Elvis Presley. Lebih anehnya lagi, Presiden Clinton bersumpah mengagumi Elvis. Bahkan “code name” Bill Clinton untuk Secret Service (Paspampres-nya AS) adalah “Elvis<br /><br />benar2 fenomena Elvis yg luar biasa...<br /><br />coba juragan denger lagunya. Nadanya enak n kata2 nya bagus...<br />lagu favorit = Don't Cry Daddy, Can't help falling in love with you, Memories, Devil in disguise, Hawaiian Wedding Song, Love Me Tender, You Were Always on my mind, dll...</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-41307449349864817462009-04-18T07:34:00.000-07:002009-04-18T07:37:32.104-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX1AnE4XPDkpjynmoZnn2Q451vg_YtjVHW-4TLhOybZUplMMaCcVek746ruHKXl5spHYbfsf733CUoHIY6gXFeHeCC00ozs1LmdLARoV8azqnflFdi0HjB5FBsC1BCrKYc7mDHaUcSm2w/s1600-h/rolling+stones.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 180px; height: 144px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX1AnE4XPDkpjynmoZnn2Q451vg_YtjVHW-4TLhOybZUplMMaCcVek746ruHKXl5spHYbfsf733CUoHIY6gXFeHeCC00ozs1LmdLARoV8azqnflFdi0HjB5FBsC1BCrKYc7mDHaUcSm2w/s320/rolling+stones.jpg" alt="" id="BLOGGER_PHOTO_ID_5326040352175506866" border="0" /></a><br /><span style="font-family:comic sans ms;font-size:85%;color:red;">The Rolling Stones are an English band whose music was initially based on rhythm and blues and rock & roll. Formed in London and having their first success in the UK, they subsequently became popular in the US during the "British Invasion" in the early 1960s.<br /><br />The band formed in 1962 when original leader Brian Jones and pianist Ian Stewart were joined by singer Mick Jagger and guitarist Keith Richards, whose songwriting partnership later contributed to their taking the leadership role in the group. Bassist Bill Wyman and drummer Charlie Watts completed the early lineup. Ian Stewart was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985.The band's early recordings were mainly covers of American blues and R&B songs. The band's early recordings were mainly covers of American blues and R&B songs. Their 1965 single "(I Can't Get No) Satisfaction" established the Rolling Stones as a premier rock and roll act. Starting with their 1966 album Aftermath, the songs of Jagger and Richards, aided by the instrumental experimentation of Jones, expanded an always present stylistic flexibility. Jones died in 1969 shortly after being fired from the band and was replaced by Mick Taylor. Taylor recorded five albums with The Rolling Stones before quitting in 1974. Former Faces guitarist Ronnie Wood stepped in and has been with the band ever since. Wyman left the Rolling Stones in 1993; bassist Darryl Jones, who is not an official band member, has worked with the group since 1994.<br /><br />The Rolling Stones have released 22 studio albums in the UK (24 in the US), eight concert albums (nine in the US) and numerous compilations; they have had 32 UK & US top-10 singles, 43 UK & US top 10- albums between 1964 and 2008,[citation needed] and have sold more than 200 million albums worldwide. 1971's Sticky Fingers began a string of eight consecutive studio albums at number one in the United States. In 1989 the Rolling Stones were inducted into the American Rock and Roll Hall of Fame, and in 2004 they were ranked number 4 in Rolling Stone magazine's 100 Greatest Artists of All Time. They are also ranked as the number 2 artists of all time on Acclaimedmusic.net. Their latest studio album, A Bigger Bang, was released in 2005 and followed by the highest-grossing tour in history, which lasted into late summer 2007. During the 1969 American tour, tour manager Sam Cutler introduced them as "The Greatest Rock and Roll Band in the World", a title which has remained. Their image of unkempt and surly youth is one that many musicians still emulate.</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-86701133256580659892009-04-18T07:27:00.001-07:002009-04-18T07:29:43.632-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMT5TWXAYZNCESG5iahxTo_TALZprMATUUGRDCSwxyTxSy3z_cM41FA846LwC_-PJOcpsdd-K_N8azmtm-IAFh7FZ1cY6EUgIsQstU2sjf1ubR9DfAT0buwD4UdCpeZW8dmqN1PmQPNcM/s1600-h/jimi_hendrix.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 240px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMT5TWXAYZNCESG5iahxTo_TALZprMATUUGRDCSwxyTxSy3z_cM41FA846LwC_-PJOcpsdd-K_N8azmtm-IAFh7FZ1cY6EUgIsQstU2sjf1ubR9DfAT0buwD4UdCpeZW8dmqN1PmQPNcM/s320/jimi_hendrix.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5326038363325477522" /></a><br /><font size="2" color="gray" face="comic sans ms">James Marshall Hendrix atau Jimi Hendrix adalah musisi, penyanyi, penulis lagu, gitaris dan tokoh budaya Amerika. Pria yang lahir di King Country Hospital, Seattle, Washington, 27 November 1942 itu disebut sebagai pemain gitar paling berpengaruh dalam sejarah musik rock.Album-album Hendrix di massa hidupnya di antaranya, Are You Experienced (1967), Axis: Bold as Love (1967), Electric Ladyland (1968), Smash Hits (1969) dan Band of Gypsys (1970). Lagu-lagu tersebut telah membawa nama Jimi, menjadi legenda dunia, ditambah lagi lagu-lagu musisi besar yang dededikasikan untuknya.<br /><br />Jimi meninggal pada 18 September 1970, di hotel Samarkand Hotel di 22 Lansdowne Crescent di London, setelah semalam bersama pacarnya Monika Dannemann. Diduga pria hitam manis ini menderita overdozis obat-obatan, meski secara resmi hal itu tidak dipublikasikan secara jelas.<br /><br />Perjalanan karirnya sangat pendek, namun namanya punya gaung sangat panjang. Bahkan hingga hari ini. Dialah Jimi Hendrix. Usianya tidak sampai 28 tahun, tetapi masih tetap dipuja meski sudah 30 tahun ia meninggal dunia.<br />Dengan nama Johnny Allen Hendricks. Ia putra sulung pasangan Alex Hendricks yang Afro-Amerika Meksiko dan Lucille, seorang Indian Cherokee.Nama itu merupakan pemberian ibunya, yang kemudian diubah oleh sang ayah menjadi James Marshall Hendricks pada saat Hendrix kecil berusia 4 tahun. Kedua orangtuanya kemudian berpisah saat Jimi berumur tiga tahun.<br /><br />Ayahnya Alex, yang mantan militer, merupakan orang yang keras dalam mendidik putranya, dia juga menginginkan jimmy untuk mengikui jejaknya ke jenjang militer. Karena alasan tersebut, begitu Jimmy DO dari SMA, doi langsung cabut ke Airbone Division of the U.S. Army. Meski berada di lingkungan militer, ketertarikan jimmy pada dunia musik (khususnya gitar) lebih besar. Di suatu latihan, Jimmy terkena cedera yang menjatuhkan vonis bahwa dia nggak bisa berada di militer, ini justru membuatnya girang -meskipun sang ayah sangat menentangnya dan bahkan Jimmy nggak boleh pulang rumah saat itu.<br /><br />Tak patah arang, Jimmy bersama teman satu angkatanya di militer, Billt Cox mulai manggung dari satu klab ke klab lain. Jimmy segera bertandang ke New York dan mencoba peruntungan disana,bermain di beberapa klab,dan bertemu dengan tokoh idolanya, Bob Dylan. Tuhan ternyata adil, di bandnya "Jimmy James" dan "The blue Flames" jimmy mulai sukses , pada saat mereka manggung di sebuah kafe yang bernama"Cafe Wha?" kebetulan aksi panggung Jimmy diamati Londa Keith, kekasih dari Keith Richards.<br /><br />Linda meminta kekasihnya agar melihat penampilan Jimmy dan diapun tertarik! Jimmy langsung disodori kontrak dan keliling eropa bersama Keith Richards.Sampai di Inggris, taji Jimmy mulai terlihat.Gigataris populer Inggris saat itu,Eric Clapton dan Pete Townshed sampai berkata"He thought his career was over after seeing Hendrix play the guitar".<br /><br />Selesai Eropa, Jimmy mulai fokus di U.S. dan tampil di Monterey Pop Fest disitu dia menampilkan permainan yang belum pernah dilihat orang sebelumnya. Selesai tampil di Monterey, Jimmy seperti menjadi seorang Superstar dan tampil di festifal-festifal besar. </font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-79714077403250009642009-04-18T06:57:00.000-07:002009-04-18T06:59:13.852-07:00Sejarah Piano<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Nu6zexmB7DjZwBir-DDZSn2sjq0mPms7nOoJe_PQnT5SIGPOfbmpkbhTBMtpEURWgZb2B8mbdt4LSSJkKe9zSzb4y0xChyPV4jS-UAW1TD9AmGEcivv46spfrC3fgADqGZzulWHwWOs/s1600-h/asal-mula-piano.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 275px; height: 206px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Nu6zexmB7DjZwBir-DDZSn2sjq0mPms7nOoJe_PQnT5SIGPOfbmpkbhTBMtpEURWgZb2B8mbdt4LSSJkKe9zSzb4y0xChyPV4jS-UAW1TD9AmGEcivv46spfrC3fgADqGZzulWHwWOs/s320/asal-mula-piano.jpg" alt="" id="BLOGGER_PHOTO_ID_5326030488180414626" border="0" /></a><br /><font size="2" color="yellow" face="comic sans ms">Buat loe yang suka dengan alat musik ini, sebelum loe maenin atau menikmati suara alat musik ini, gak ada salahnya dong tau sejarah alat musik yang elo mainin dan yang digemari oleh banyak orang ini. Hehehe… sebagai bahan bacaan dan tentunya nambah pengetahuan loe aja sih. Semoga berguna.<br /><br />Asal mula kata piano sebenarnya adalah pianoforte, yang berasal dari bahasa Italia. Piano dibuat oleh Bartolomeo Cristofori pada tahun 1720-an. Awal mula piano diciptakan, suaranya tidak sekeras piano yang dapat didengar pada abad 20-an. Pasalnya, tegangan tuts piano kala itu tidaklah sekuat piano yang sekarang.<br />Kini, piano pertama tersebut dipajang di Metropolitan Museum of Art di New York. Seperti pada banyak penemuan yang lainnya, piano ditemukan berdasarkan penemuan teknologi. Asal muasalnya, piano dikembangkan dari alat musik kecapi. Perbedaannya, kecapi dimainkan dengan dipetik. Sedangkan piano ditekan tuts-tutsnya.<br /><br />Secara umum, piano termasuk ke dalam kelompok musik instrumental. Piano memproduksi suara dari getaran papan suara yang volumenya dapat diperkuat (dapat diatur besar kecilnya).<br /><br />Secara luas, piano di dalam musik dapat menjadi performa pada nyanyian tunggal dan sebagai pengantar nyanyian solo. Dalam artian, piano dapat hidup dan mengiringi penyanyi tanpa bantuan atau iringan alat musik lain. Suara yang dihasilkan piano sudah dapat mewakili alat musik lainnya. Meskipun demikian, piano akan lebih berarti lagi didengar dengan bantuan alat musik lain. Yang perlu ditekankan di sini, piano dapat mengalun indah tanpa bantuan alat musik lain. Tidak sama halnya dengan alat musik lain, yang kurang enak didengar tanpa dilengkapi piano. Banyak musik-musik instrumen yang bersinar karena andil dari piano.<br /><br />Perkembangan Piano<br /><br />Pada akhir periode 1790 sampai 1860, piano era Mozart mengalami perubahan yang hebat, dimana instrumen modern semakin terlihat memimpin. Pada revolusinya, piano banyak mendapat dukungan dari komposer dan pianis-pianis terkenal yang mengiringi perkembangannya. Sehingga piano dalam musik semakin memiliki power yang tinggi. Teknologi dalam pembuatan piano pun semakin menggunakan alat-alat berteknologi tinggi.<br /><br />Dalam beberapa waktu, gaya suara piano meningkat. Dari 5 oktav menjadi 7 1/3 (atau bahkan lebih) oktav, ini menandakan piano semakin modern. Kemajuan teknologi ini banyak bersumber dari perusahaan di Inggris, Broadwood. Selama bertahun-tahun, instrumen buatan Broadwood mengalami perkembangan menjadi lebih banyak jenisnya, lebih baik suaranya, juga dikemas secara baik dan rapi.<br /><br />Perusahaan Broadwood mengirim piano mereka kepada Hadyn dan Beethoven. Cakupan kemampuan piano yang mereka kirim itu lebih dari lima oktaf. pada tahun 1790an, tahun 1810 menyusul menjadi enam oktav, sampai pada tahun 1820 akhirnya menjadi tujuh oktav. Sampai-sampai banyak perusahaan pembuat piano mengikuti trend ini.<br /><br />Bercerita tentang piano sama halnya seperti menceritakan seorang superstar. Seperti layaknya seorang superstar, piano yang terkenal itu juga banyak dikagumi berbagai kalangan. Piano bisa masuk dalam industri musik dan perfilman, yang dengan mudahnya dilihat dan didengar siapa saja.<br /><br />Sejak tahun 1830-an, konser piano selalu di idolakan banyak penggemar musik. Setiap para pianis terkenal menggelar konsernya, kerap kali dipadati oleh para penggemar. Mereka selalu berbondong-bondong mengantri tiket konser piano seperti semut. Karena bagaimanapun juga, piano bisa masuk ke hampir seluruh musik terkenal.<br /><br />Contoh pada ke-27 konser piano yang digelar Mozart. Konser ini benar-benar merupakan konser musik instrumental yang tanpa bantuan iringan penyanyi ternyata tetap dapat lebih dinikmati. Inilah kehebatan yang dimiliki alat musik piano. Permainan pada konser piano bisa terlaksana dengan baik secara solo (sendirian), duo (berdua), trio (bertiga), maupun kuartet (berempat). Hal ini telah dibuktikan sejak lama oleh para pianis terkenal seperti Mozart, Hadyn, Beethoven, Schubert, Schumann, Mendelssohn dan Brahms.<br /><br />Salah satu peran piano dalam industri perfilman adalah sebagai alat musik yang mengiringi jalannya film tersebut. Dapatkah loe membayangkan jika film yang loe tonton tidak didukung oleh latar belakang musik? Piano sangat lekat dengan alur-alur cerita dalam film. Jika pada film itu ceritanya sedih, diputarkanlah alunan musik piano yang lagunya sedih atau melow, sedangkan jika film itu seru (misalnya film aksi), maka diputarkanlah musik yang membuat adrenalin naik. Kesemua ini senantiasa diperankan oleh piano.</font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-73367646711771204492009-04-18T06:41:00.000-07:002009-04-18T06:44:17.915-07:00Sejarah Gitar<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJF10Wwn4W6y6_gyXkSHWnNEUNFBeCRwaE5lZ6NbCARpzwPwDIpjQjMekgmVdyOScd4F2WKFLYfyQA7mKOa8eDhScyCWY7fZY0O2RPX0s2E4ZvJFOjFoyzikATaSKALQnam0-gfeYPzbg/s1600-h/gitar+akustik.JPG"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 280px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJF10Wwn4W6y6_gyXkSHWnNEUNFBeCRwaE5lZ6NbCARpzwPwDIpjQjMekgmVdyOScd4F2WKFLYfyQA7mKOa8eDhScyCWY7fZY0O2RPX0s2E4ZvJFOjFoyzikATaSKALQnam0-gfeYPzbg/s320/gitar+akustik.JPG" alt="" id="BLOGGER_PHOTO_ID_5326026718406787362" border="0" /></a><br /><span 2="" style=";font-family:courier new;color:white;" ><br />Gitar adalah alat musik yang dimainkan dengan cara dipetik. Gitar di bedakan menjadi dua yaitu gitar akustik dan gitar elektrik. Pada umumnya gitar akustik terbuat dari kayu. Instrumen ini sangat dikenal. Hanya dengan memetik senarnya, orang orang langsung bergabung bersama. Pada sebuah pesta anda bisa bermain gitar untuk bernyanyi dan berdansa. Disaat sendiri suara yang dihasilkan bagai sebuah Orchestra kecil.<br /><br />Gitar pertama kali di temukan di benua Afrika pada tahun 1265. Bunyi dari petikan senar gitar bersifat romantis, sehingga lagu lagu klasik yang lembut dan berunsur romantis lebih cocok dimainkan dengan gitar akustik.<br /><br />Seiring berjalannya waktu, orang-orang sudah mulai memodivikasi gitar. Gitar dibuat dengan bantuian mesin elektrik agar suaranya terdengar lebih keras. Les Paul adalah orang pertama yang bereksperimen dengan sound gitar elektrik pada sekitar tahun 1940. Dengan gitar elektrik, kita bisa mengubah suara gitar sesuai dengan yang kita inginkan, memperbesar atau memperkecil volume gitar tersebut.<br /><br />The Pick Guitar dan Electric Guitar yang paling sering digunakan dalam musik Jazz, band band dansa dan grup Rock. Pada umumnya, gitar mempunyai jumlah dawai 6; lalu muncul gitar dengan 12 dawai yang lebih lazim digunakan dalam kancah musik country. Pada dekade 50-an, muncul gitar dengan dua neck (fretboard); yang satu berdawai 6 dan satunya berdawai 12 (seperti yang sering digunakan oleh John McLaughlin). Kemudian muncul pula gitar berdawai 7 (seperti yang biasa dipakai oleh Bucky Pizzarelli), bahkan muncul pula gitar berdawai 10. Elektrik gitar lalu berkembang; Solid-Body (seperti yang sudah dijelaskan diatas tanpa bunyi resonansi, hingga benar-benar suara elektrik) jenis gitar hollow-body dan semi-hollowed. Jenis elektrik gitar seperti itu lazim digunakan dalam kancah musik rock / pop. Jenis elektrik gitar tersebut pun berlanjut dengan penggunaan aneka macam sound effect.<br /><br />Cara memegang gitar yang baik bagi pemula dapat diuraikan sebagai berikut;<br />1. Letakan gitar pada pangkal paha. Pegang gitar diantara jempol dan telunjuk tangan kiri.<br />2. Tangan kanan diletakkan secara melingkar pada badan gitar, membawa jari jari dekat ke senar. Tekan senar gitar pada papan pijit-leher gitar / FingerBoard sesuai dengan nada yang akan dibunyikan.<br />3. Senar senar dari Jenis The Finger-style Guitar dipetik oleh jempol dan 3 jari yang pertama, saat mengiringi lagu lagu jari telunjuk baik sendirian atau beserta jempol digunakan untuk memetik mundur dan maju sepanjang satu waktu, dengan ujung Pick. Pemetikan dapat dilakukan baik dengan gerakan naik atau turun.<br />4. Latihlah kemampuan jari jari tangan kita untuk menekan senar(sesuai dengan nada yang diinginkan) sehingga nada yang dihasilkan terdengar sempurna.</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-84977221279438386762009-04-18T06:30:00.000-07:002009-04-18T06:38:42.753-07:00Travis Barker<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7k5L0QybVs37_KIkGfr4w30TtJ-yVLQPSQ0s9cttkn5ZZhyphenhyphen92vHAXUz4XaKQrteoBG1KkIE3l0snS8mnBZ8Fz7RVsd8XFjbS6zuwgoLaP_eXRfqBeUTtkKNlQS7rRiXHrWCzDJ5t0jk0/s1600-h/220px-Travis_Barker.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 220px; height: 294px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7k5L0QybVs37_KIkGfr4w30TtJ-yVLQPSQ0s9cttkn5ZZhyphenhyphen92vHAXUz4XaKQrteoBG1KkIE3l0snS8mnBZ8Fz7RVsd8XFjbS6zuwgoLaP_eXRfqBeUTtkKNlQS7rRiXHrWCzDJ5t0jk0/s320/220px-Travis_Barker.jpg" alt="" id="BLOGGER_PHOTO_ID_5326025330385887122" border="0" /></a><br /><span style="font-family:comic sans ms;font-size:85%;color:green;">Travis Barker<br />Latar belakang<br />Nama lahir Travis London Barker<br />Lahir :14 November 1975<br />Asal : Fontana, California<br />Genre : Pop-Punk<br /> : Hip-Hop<br /> : Punk Rock<br />Instrumen :Drum, Keyboard<br />Tahun aktif :1994 - sekarang<br />Berhubungan<br />dengan : The Aquabats<br /> Blink 182<br /> Box Car Racer<br /> Expensive Taste<br /> The Transplants<br /> The Suicide Machine<br /> +44<br /><br />Travis London Barker (lahir 14 November 1975) adalah Amerika drummer. Nama-nya terkenal setelah menjadi drummer untuk band Pop-Punk Blink 182, tapi sekaran dia bermain untuk +44. Dia juga bermain untuk beberapa grup musik seperti Box Car Racer, The Transplants, Expensive Taste, The Suicide Machines, dan The Aquabats.<br />Biografi<br /><br />Travis London Barker lahir di Fontana, California pada tanggal 14 November 1975. Pada umur 4 tahun Travis mendapatkan drum pertamanya dari ibunya, awalnya di lebih cenderung ke musik Jazz di sekolahnya ia sering mengikuti Marching Band. Dia sesudah mempunyai banyak pengalaman dan sering mengikuti perlombaan di daerahnya dan di festival musik.<br /><br />Travis juga menyukai musik Latin di banyak terpengaruh dengan Run-D.M.C, King Diamond dan The Clash.<br />Blink 182 (1998)<br /><br />Pada tahun 1998 Travis mengikuti Baron Von Tito bersama The Aquabats. Sehabis Tur bersama Blink 182 itu drumernya Scott Raynor keluar dari Band karena kedapatan mendapat penyakit. Travis pun masuk mengantikan Scott di Blink 182 hingga bubar pada Februari 2005.<br /><br /><br />Box Car Racer, Transplants, Expensive Taste 2002-2004<br /><br />Pada 2002, Travis bersama rekanya di Blink 182 yaitu Tom Delonge ia pun membentuk Box Car Racer dan hanya mengeluarkan 1 album yaitu<br /><br /> * Box Car Racer (2002)<br /><br />Setelah itu bersama Vokalis AFI Rob Ashton ia membentuk band Hip-Hop The Transplants yang mengeluarkan 2 album<br /><br /> * Transplants (2002)<br /> * Haunted Cities (2005)<br /><br />Dia juga menjadi drummer pada Expensive Taste.<br /><br />Gaya<br /><br />Di seluruh badan Travis di penuhi tatto-tatto, tatto pertama Travis adalah bertuliskan "BONES" yang tak lain adalah namanya waktu kecil yang ia buat pada umur 17 tahun.<br /><br />Keluarga<br /><br />Travis sudah menikah 2 kali. Travis menikah dengan Melissa Kenedy pada 22 September2001 tapi pasangan ini hanya bertahan selama 11 bulan karena pada tanggal 6 Agustus 200230 Oktober 2004 Travis menikah kembali dengan Miss USA 1996 Shanna Moakler Travis dan Moakler mempunyai 2 orang anak yaitu Landon Asher dan Alabama Luella serta 1 Moakler Atiana Cecilia de la Hoya anak dari pacarnya dengan petinju Oscar De La Hoya. Setelah hampir 2 tahun bersama Travis pun minta tuntut cera pasangan ini bercerai. </span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-65756778651768191042009-04-17T03:43:00.001-07:002009-04-17T03:47:19.656-07:00sejarah modern bass guitar<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2ekrVQS_os2kb4KOoiM_6WdmwIWeR0StmLPUaOgfHIi-bRV0esWFI0ZAi71AhtDvzg-T9ud1miFt_HW2n5ZHBUD4JDNzstDiTqcRmCdsJqF-ftdBojxG1SCsFFaSH0LvHc7Lb6qyQDrU/s1600-h/Tobias_Bass_Guitar_6_String.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2ekrVQS_os2kb4KOoiM_6WdmwIWeR0StmLPUaOgfHIi-bRV0esWFI0ZAi71AhtDvzg-T9ud1miFt_HW2n5ZHBUD4JDNzstDiTqcRmCdsJqF-ftdBojxG1SCsFFaSH0LvHc7Lb6qyQDrU/s320/Tobias_Bass_Guitar_6_String.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5325610119316995682" /></a><br /><font size="2" color="blue" face="comic sans ms"> <br />mungkin teman2 sekarang memainkan bass..<br />namun tau nga sih siapa yang membuat pertama kali??<br />kali ini aku mau share aja yah..<br /><br />smoga menambah pengetahuan kita semua<br /><br /><br />jika kamu bertanya tentang siapa pembuat pertama kali bass elektrik, pasti mereka akan menjawab Leo Fender. bagaimana pun telah ada 5 jenis prototype yang belum begitu di ketahui, namun merupakan design awal dari bass elektrik yang di ciptakan sebelum fender memperkenalkan bass precisionnya di tahun 1951 kepada dunia.<br /><br />Bass modern merupakan turunan langsung dari double bass, yang mana telah ada pada abad ke-17. Bagaimanapun designnya tetap sama sampai ke abad 20 yang merubah design bass menjadi lebih simpel dan praktis.<br /><br />Di tahun 1920an, adalah lloyd Loar, yang berkerja untuk gibson, mendesign double bass elektrik pertama. Bass itu menggunakan pickup electro-static, tapi amply untuk frekuensi bass belum dikembangkan. jadi pada saat itu blum ada cara untuk mendengarkan instrument double bass tersebut. Awal tahun 1930an, paul tutmarc menjadi yang orang pertama yang memperbaiki ukuran double bass menjadi lebih praktis. Ukuran yang pertama dibuat hanya sebesar cello, dan mengunakan pickup rudimentary,<br />namun hasilnya memiliki berat yang berlebihan, dan akhirnya diperbaiki bentuknya lebih menyerupai gitar. Bass baru yang diciptakan ini memiliki panjang 42", solid body, menggunakan kayu walnut hitam dan senar piano yang tetap dilengkapi dengan pickup.<br /><br />Pertengahan tahun 30an, beberapa pengembang instrument musik - Lyon & Healy, Gibson and Rickenbacker, - memulai memasarkan eksperimental elektrik bass yang sama dengan prototype basss Tutmarc, yang lebih sedikit besar dibandingkan dengan double bass yang standard. Bagaimanaupun, bas itu tetap tinggi, tidak ,memiliki fret, dan di mainkan secara vertikal atau berdiri.<br /><br />Sekitar tahun 1940, Paul Tutmarc jr memulai memproduksi gitar dan bass, termasuk bass Serenader. Produksi ini di distribusikan oleh L.D. Heater Music Co., di portland, Oregon, dan menjadi distributor terbesar untuk elektrik bass. Sang Genius itu menamainya dengan bass gitar - insturumen yang memilik fret dan di mainkan secara horizontal. Fitur utama dari produk tersebut adalah :<br /><br />* Pickup - di design karena double bass sering tertutup dengen brass section dari sebuah band jazz.<br />* ukurannya - pemain double bass harus bisa berpergian sendiri, karena ukurannya yang besar, sering sekali ketinggalan di setiap perjalannya. Dengan design yang baru, pemain bass bisa berpergian dan beristirahat dengan bandnya.<br /><br />Ada sedikit perubahan progres sampai Leo Fender menciptakan precision bass di tahun 1951. Penamaan Precision Bass dikarenakan fret yang ada di bass mengikuti note yang di mainkan secara presisi. Elektrik bass yang di produksi Leo fender ini, banyak yang memproduksi bentuk ini. Pada tahun 1957, bentuk pickupnya di rubah menjadi split pickup, dan pickguard dan headstocknya juga di redesign.<br /><br />tahun 1960, Fender mendesign dan menciptakan Jazz bass, dengan 2 pickup yang sama ukurannya. Popularitas bass Fender kemudian diikuti oleh Gibson, Rickenbacker, dan Hohner. Hal ini yang semakin membuat popularitas bass elektrik meluas sampai sekarang.<br /><br />Tahun 1959, Danelectro menciptakan pertamakali bass 6 senar, dengan tunse E A D G B E, dan Gibson dan Fender menggunakan ide ini untuk membuat Gibson EB-6 di tahun 1960, dan Fender VI di tahun 1962. Fender juga membuat bass 5 senar pertama dengan sebutan Fender V.<br /><br />Tahun 1965, bass fretless Aubi dari Ampeg diciptakan dan di tahun 1968 8 string bass di perkenalkan oleh Hagstroem. Bass freetless 6 string (yang akhirnya dimiliki Les Claypool) di buat oleh Carl Thompson tahun 1978. Karena gaya permainan seperti slap dan pop, jumlah senar dan kombinasi kayu, neck dan lainnya pickup semakin menjadi bervariasi. EMG pickup yang menjadi pickup terlebar yang di gunakan di bass tersebut.<br /><br />pertama kali bass elektrik di populerkan oleh John Entwistle dan James Jamerson di tahun 60an, Jaco Pastorius dan Stanley Clarke di tahun 70an dan Marcus Miller dan Cliff Burton di tahun 80an. Di akhir 80an terlihat perbedaan dalam popularitas bass, sebagai fashion digunakan untuk electornic synthesised dance music. Bagaimanapun bass yang kita miliki sekarang merupakan perkembangan jauh dari double bass.<br /><br />Sekarang, adalah Claypool (Primus) dan Flea (RHCP) yang menunjukan bagaimana pentingnya sebuah bass dalam musik modern.<br /></font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com1tag:blogger.com,1999:blog-690579573857716857.post-44102275056007231242009-04-12T23:51:00.000-07:002009-04-12T23:58:55.791-07:00sejarah hip-hop/rap<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvywVXwCPhtkAOLGTVc3xx8P-b9e-1g2H4pUHhEJQLUcXA6ImP7Z-q_w0-KpldoVNmAoOutF_P6jNutnX0Go2EfuVqKRGa4xCS3bH1IdNWD-XsX7Qx6KJ8Li1XNoTLuW5a6kZZLcd0zSo/s1600-h/hip-hop-music.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 243px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvywVXwCPhtkAOLGTVc3xx8P-b9e-1g2H4pUHhEJQLUcXA6ImP7Z-q_w0-KpldoVNmAoOutF_P6jNutnX0Go2EfuVqKRGa4xCS3bH1IdNWD-XsX7Qx6KJ8Li1XNoTLuW5a6kZZLcd0zSo/s320/hip-hop-music.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5324066860115353010" /></a><br /><font size="2" face="comic sans ms" color="white">Untuk mengerti sejarah dari rap, kamu harus to dua hal: Rap adalah berbicara dengan rima mengikuti ritme atau ketukan beat. Hiphop adalah budaya, jalan hidup(way of life) untuk lingkungan orang-orang yang mengidentifikasi, mencintai, dan menghargai nge-rap, nge-breakdance, nge-Deejay, dan graffiti (Kurtis Blow).<br />RAP<br />Kebanyakan buku, Acara Tv dan sejarahwan mengatakan bahwa rap di buat/ diciptakan di Bronx, tapi ini tidak sepenuhnya betul. Rap Amerika yang kita tau sekarang dimulai sekitar 1970 di Boogie Down Bronx. Untuk mengerti secara keseluruhan, kita harus kembali ke masa lampau : Dimulai di Afrika..Gospel<br />Mari kembali ke akarnya, di Afrika - untuk lebih spesifik- Suku-suku disana mengabadikan sejarah mereka dalam bait-bait ritmik dan nyanyian. Karena ada banyak suku-suku, banyak terdapat bahasa daerah dan suku-suku yang bahasa mereka seringnya tidak dibuang/ dilupakan. Jadi, untuk menjaga sejarah dan legenda mereka menggunakan lagu dan ritmik untuk menceritakannya. Karena pedagang budak kulit putih datang dan memisahkan mereka dari keluarga dan suku mereka.<br /><br />Orang afrika asli membawa cerita dan rima mereka bersama pedagang budak eropa. Mereka (pedagang budak)tidak mengijinkan para budak bicara menggunakan "Bahasa Ibu" (bahasa afrika asli) . Para pedagang budak itu berpikir bahwa mereka berencana untuk membuat rusuh. Walaupun mereka dirantai. Tapi mereka di perbolehkan untuk menyanyi. Ini membuat para budak bertahan hidup dan merasa lebih baik. Para budak wanita di perkosa dan sering kali hamil oleh crew (para pembantu pedagang budak). Budak wanita dijadikan bonus buat para crew. Perjalanan seperti ini bisa memakan waktu hingga sebulan. Dan bila ada sekitar 1000 budak, 600-700 yang selamat, itu adalah perjalanan yang bagus. Dan bila budak wanita hamil maka mereka akan mendapatkan harga yang lebih baik (karena ada tambahan bayi dalam kandungan budak wanita). Lalu para majikan (pemilik budak) berlaku sama untuk mendapatkan lebih banyak budak(memperkosa budak wanita hingga hamil dan anak hasil perbuatan itu di jadikan budak lagi). Mereka, para majikan bahkan memberikan tamu mereka satu atau dua wanita untuk teman tidur...<br /><br />Ketika mereka menyanyi mereka bekerja lebih giat karena isi nyanyiannya adalah tentang dari mana mereka berasal dan sejarah suku-suku mereka. Waktu seelanjutnya, karena majikan bersifat lebih lunak, para budak diperbolehkan libur setiap hari minggu. Pada hari minggu tersebut, para budak pergi ke gereja dan menyanyikan lagu kebebasan. Hal ini kemudian berubah menjadi paduan suara Gospel.<br /><br />Blues.<br />Ketika perbudakan dilarang, kulit hitam masih diburu, digantung, disiksa dan lebih buruk lagi. Waktu itu adalah masa yang sangat buram dan menyedihkan. Lagu-lagu terdengar murung dan sedih. Blues dulunya adalah cuma satu instrument dan satu vocal dengan suara yang mengayun sendu.<br /><br />Jazz<br />Beberapa tahun kemudian, mereka mulai memadukan musik tradisional Afrika dengan instrument Eropa. Dan lahirlah apa yang disebut Jazz. Lalu Soul muncul sebagai gaya yang lebih ringan dan riang daripada R & B.<br /><br />Rhythm & Blues<br />Ketika artis-artis Blues pindah dari pedesaan ke daerah perkotaan, musiknya terdengar lebih berat dan dengan gaya yang lebih groovy. Suara utama adalah pada rhythm. Lalu ini menjadi Rhythm And Blues (R&B), dan waktu itu merupakan satu-satunya jenis musik kulit hitam. Diketahui juga oleh audiens kulit putih pada awal tahun 50-an. Tapi masih kuat dipengaruhi oleh musisi kulit putih. Satu dari artist R&B yang terkenal jaman itu adalah Lois Jordan dengan banyak lagu hits-nya di tahun 40-an dan 50-an. Diantar Fats Domino mereka membuat lyrik yang lucu dikombinasikan dengan groove yang cepat dan dinamis. Hal itu membuat merka tersentuh auidiens kulit putih. Tapi itu bukan sebelum pertengahan tahun 50-an ketikas R&B diputar di radio dan waktu itu musiknya adalah rock & roll. R&B di kombinasikan denga elemen dari Jass, Country Blues, Boogie Woogie dan Gospel.<br /><br />Ska, Rock Steady & Reggae<br />Pada waktu yang bersamaan daerah koloni di Jamaika menciptakan Ska yang selanjutnya menjadi Rock Steady dan kemudian menjadi Reggae. Dan sering Dj seorang DJ sebagai produser sekaligus artis. Mereka mulai bicara(talking/toasting/rapping) pada Dub mereka. (Selanjutnya ini berubah menjadi Dancehall). Dancehall sangat populer bahkan sampai sekarang. Ini disebut sebagai Soundsystem. DJ kelahiran Jamaika, Kool Herc mengambil dan membawa Soundsystem ini ke Boogie Down Bronx. Dia menyebutnya 'The Hercoloid' dan orang-orang yang mengikutinya disebut 'Hercolids'. Mulailah Kool Herc membuat lagu-lagu(tunes). Kadang di memutar dub sound dan merima(rhyming) mengikuti beat itu. Lalu Kool Herc meggunakan seseorang untuk merima mengikuti beatnya ke tika Break Boys/Beat Boys/Bad Boys (B Boys) menari ikuti beat.Tidak diketahui kapan nama Rap pertama kali digunakan.<br /><br />Rhytm & Blues menginspirasikan musik Ska, dan R & B berkembang menjadi Soul dengan pengaruh Gospel .Para produser memegang peranan penting di Jamaika. Mereka bekerja di studio kecil dan punya pengaruh besar pada suara yang unik pada awal-awal reggae. Beberapa dari produser terbaik adalah Cocone Dodd. "Studio One" kepunyaannya seperti sebuah sekolah untuk para pemusik berbakat seperti Bob Marley dan Winston Rodney (Burning Spear). Dan Duke Reid yang mendirikan "Treasure Isle Studio". Mereka punya studio-studio kecil. Dan mereka bisa merekam langsung ke vinyl. It was not expensive either.<br /><br />Marley menkreasikan sound baru, apa yang Linton Kwesi Jhnson bilang "International Reggae". Bassnya lebih funki, keyboardnya lebih menonjol, gitar dengan riff rock, dan Suara Marley yang kaya menambah kesempurnaan.<br /><br />Tahun1967, musik Rock Steady menggoyang Jamaika dan setengah tahun dengan artis-artis baru seperti Ken Boothe, Bob Andy, Delano Stewart, Monty Morris, The Wailers, Heptones, Techniques, Carlton and His Shoes.<br /><br />Coxone Dodd dan Duke Reid masih produser yang terbaik sementara Derrick Harriott, Joel Gibson, Leslie Kong and Sonia Pottinger membuat peranan besar. Diluar Jamaika ada rekaman rocksteady di produseri Leslie Kong, dan di mainkan/ tampilkan oelh Desmond Dekker.<br /><br />Pemilik Coxsone Sound, Clemet Dodd, adalah salah satu DJ pertama yang menggandakan potongan-potongan dari rekaman yang berbeda kemudian digabungkan/dimainkan berbarengan menjadi satu lagu (di-mix). Dia melakukan itu seperti menggabungkan player-player ke peralatan stereonya. Dia lalu mengakhiri dengan beberapa toasting di bagian atas. Hasil rekaman itu dinamai dub.<br /><br />Tahun1968, reggae lahir. Bassgitar dengan ritem gitar yang menggoyang serta vokal yang berat. Bassnya terdengar terus dalam lagu dan ritemnya terdengar lebih hidup dari Ska. Drumnya membuat perbedaan yang mendasar. Pada awalnya reggae cuma instrumental dengan drup-grup seperti The Upsetters, The Chrystalites dan The Hippy Boys. Lalu Burning Spear, The Pineers, Bruce Ruffin dan The Abyssinians memberikan ide yang lebih baik dengan kekuatan emosi kepada musik reggae.<br /><br />Yellowman mulai nge-rap di Jamaika, walaupun mereka tidak menyebutnya Rap pada saat itu, tapi seutannya DJ. Lee Perry menggabungkan rekaman Dub yang asli dan membuatnya seperti apa yang sekarang kita sebut Version atau Remix. Jadi kita bisa mengaakan bahwa dia adalah remixer pertama. Dia meremix di studio yang bernama Black Ark.<br /><br />Soul<br />Tiga aksi musik: Jazz, Blues dan Gospel digabungjan dan jadilah soul. Pelopornya seperti Sam Cooke dan Ray Charles. Ray Ray Charles adalah artist pertama yang menggabungkan gospel dengan R&B. Dia dan Sam Cooke adalah penyanyi paduan suara Gospel ketika mereka masih kanak-kanak. Setelah Perang Dunia II, musik Soul melangkah maju dan pada waktu itu kulit hitam Amerika mulai tertarik di Politik. Tahun1965, James Brown merilis "Papa's got a brand new bag" dan memberikan musik Soul sebuah karisma baru. Hal ini membuka jalan bagi banyak artist kulit hitam di tahun 70-an seperti Marvin Gaye dan Stevie Wonder. Ketika karier James Brown membaik, ia lebih blak-blakan bernuansa politik dalam lagunya. Seperti lagu,"Say it loud, I'm Black and I'm proud". Di tahun 1960, Atlantic Records gabung dengan Memphis company Stax, dan bersama-sama mendapatkan sartist seperti Joe Tex, Solomon Burke, Otis Redding, Wilson Picket, Booket T, The MG's, Same Dave serta Aterha Franklin.<br /><br />Funk<br />Kamu bisa mendengar Jazz, Blues dan gospel disetiap komunitas kulit hitam. Jazz dan Blues memberikan bentuk musik Soul dan beat(ketukan) sementara Gospel sebagai vokalnya. Dan gaya yang lebih kasar dari Jazz, mereka menyebutnya Funk. Sejak itu Funk meningkat dengan lebih banyak rhythm dan basskines. James Brown adalah legenda hidup yang paling terkenal dari Funk, dan dia sendiri telah sangat mempengaruhi HipHop sehingga butuh bertahun-tahun untuk menggambarkannya. , Ketika dia menemukan sound Hiphop, kita juga punya di Jazz, puisi dan kata-kata dengan artis sepeti The Last Poets, Gil Scott Heron dan Watts Prophets. Mereka menggunakan semacam Rap dalam ritmik puisi mereka, dan dengan beat dari James Brown, kita dapati awal dari Hiphop. Mereka juga merilis sebuah album dengan judul "Rappin' Black In a White World" tahun 1971. Muhammed Ali juga menggunakan accapella Raps untuk memojokkan lawan tandingnya sebelum pertarungan tinjunya.<br /><br />Soundsystems<br />Satu dari toaster pertama dalam soundsystem adalah Count Machouki. Yang lain datang dan mengembangkan gayanya Count lebih lanjut, mereka adalah U-Roy, Big Youth dan Dilinger. U Roy jadi sangat populer dan albumnya terjual banyak, mencetak hit berjudul "Wear You To The Ball"<br /><br />Disco.<br />Sekitar pertengahan 70-an, gaya musik kulit putih mulai naik daun. Dan pada saat yang bersamaan tak ada musik kulit hitam yang di putar di radio. Tahun 1973, 36 singgel kulit hitam masuk tangga lagu Billboard Topp 100, dua puluh tujuh di tahun `974 dan duapuluh delapan di tahun 1975. Disko kulit putih memasuki charts dan puncak era disko adalah pada tahun 1977, saat itu hanya ada duapuluh tiga lagu disco kulit hitam pada tangga lagu Topp seratus(Topp 100) Charts).Rap/Hiphop<br />Satu dari DJ radio yang pertama di USA, Dr. Hep Cat biasa me-rima( throw some rhymes) di udara seperti, "If you want to hip the tip and bop the top - You get some mad threads that just won't stop". Ini mempengaruhi DJ radio lainnya dan DJ biasa untuk me-rima di udara dan di club, diketahui sebgai rapper-rapper pertama. Kool Herc adalah satu dari DJ-dj yang mulai ngerap mengikuti rekaman lagu. Semua gerakan ini menjelma menjadi HipHop. Sebuah kultur/budaya yang berumur lebih dari 25 tahun dan masih ada samapi saat ini. Nama HipHop muncul ketika mereka bernyanyi, "hip hop a hippi the hoppa" dan seterusnya. Lalu orang-orang di Kota menyebut fenomena baru itu dengan sebutan HipHop, karena mereka tidak punya nama untuk itu.</font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-43223502259028862522009-04-04T04:00:00.000-07:002009-04-04T04:05:30.782-07:00Victor Wooten Biography<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVEryTBmdrAlRFTLZpeCP7nEjnmPSsiMeh31naa3kqX6f6DuSQtFX_EGlumKCKuaMOzULSILsYYkOB8FXZuvqCeM0MWgNIWUR3L4w774EYYnMXyQQnXHPHLrUnGpgzhEoyytO2oxsAGM4/s1600-h/wooten2.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 303px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVEryTBmdrAlRFTLZpeCP7nEjnmPSsiMeh31naa3kqX6f6DuSQtFX_EGlumKCKuaMOzULSILsYYkOB8FXZuvqCeM0MWgNIWUR3L4w774EYYnMXyQQnXHPHLrUnGpgzhEoyytO2oxsAGM4/s320/wooten2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5320790519773828546" /></a><br /><font size="2" color="yellow" face="comic sans ms">Victor Lemonte Wooten (born September 11, 1964 in Hampton, Virginia) is an American electric bass guitar player. He is sometimes referred to as "the Michael Jordan of bass".<br /><br />The youngest of five brothers, he was taught by his older brother Regi to play bass at age three, and by age five Victor could hold simple bass lines and play gigs. The Wooten Brothers band (Regi, Rudy, Roy, Joseph and Victor) played for many years in the 1970s around Williamsburg, Virginia in the Busch Gardens theme park, as well as opening up for Curtis Mayfield and War. After moving to Nashville, Tennessee in 1988 Victor was immediately recruited by blues and soul singer Jonell Mosser. A year later he was hired by banjo maestro Béla Fleck, along with keyboardist and harmonica player Howard Levy and Victor's brother Roy Wooten (a.k.a. Future Man). Their group, Béla Fleck and the Flecktones, became famous first by playing a mixture of jazz, funk, and bluegrass, then later becoming one of the most stylistically free-swinging bands of the modern era. (Levy eventually left the group and was replaced by saxophonist and horn player Jeff Coffin.)<br /><br />Wooten has also been a member of several fusion and progressive supergroups, including Bass Extremes (with Steve Bailey, Derico Watson and Oteil Burbridge), the Vital Tech Tones (with Scott Henderson and Steve Smith), the indian jazz fusion band PRASANNA, and the "Extraction" trio (with Greg Howe and Dennis Chambers). Victor has also been on tour with many other bands including the Dave Matthews Band. He currently tours with his solo group, and still with Béla Fleck and the Flecktones.<br /><br />The evolution of a higher standard in electric bass guitar construction methods, such as a lower action (the distance from the string to the neck) more akin to that of a six-string electric guitar, allowed Wooten to develop many new fingering techniques that were essentially undiscovered before his time. As a child, his older brother Regi Wooten helped Victor develop his double-thumbing technique as a way to more accurately reproduce the basslines of such greats as Larry Graham. This technique, which has been independently utilized by other bassists (notably Marcus Miller) uses the thumb to strike both downwards and upwards on a string in a manner similar to a guitar pick. Victor is also famous for his Stanley Jordan-like two-handed tapping and trademark open-hammer-pluck technique.<br /><br />Wooten is most often seen playing Fodera basses, of which he has a signature model. His most famous Fodera, a 1983 Monarch Deluxe which he refers to as "number 1", sports a Kahler Tremolo System model 2400 bridge. Fodera's "Yin Yang" basses (designed/created for Wooten) incorporate the Yin Yang symbol - which Wooten often uses in various media - as a main focal point of the top's design and construction. It is often mistakenly thought that the Yin Yang symbol is painted onto the bass, but in reality, the symbol is created from two pieces of naturally finished wood (Ebony and Holly, for example), seamlessly fitted together to create the Yin-Yang pattern.<br /><br />Though Wooten's beautiful and impressive basses receive much attention, his most frequent and consistent response when asked by his fans about which bass is best, etc. ..., is that "the bass makes no music ... you do". He'll often go on to state that the most important feature to look for in a bass is comfort of playability. This seems closely related to another fundamental truth about Wooten's stated approach to, and experience of bass and music in general, which is that music is a language. According to Wooten, when speaking or listening, we don't focus on the mouth as it is forming words; similarly, when a musician is playing or performing, the focus shouldn't be on the instrument.</font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-50025131136619406762009-04-04T03:50:00.000-07:002009-04-04T03:53:32.557-07:00eric clapton<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0CfnAw8T2MhFrd4f6FvS4XzfXhb6NLYwBdlPsHQFyf46kXGEfYPxji7rXAoTi9AzUsoWP4s-rHShxb31OGuDc-AFtt9uyRi1j9lTjP8ITb4TTgscWNfybCCWd8XhxQjfpoqA9H5cU-I8/s1600-h/ericpass.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 177px; height: 312px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0CfnAw8T2MhFrd4f6FvS4XzfXhb6NLYwBdlPsHQFyf46kXGEfYPxji7rXAoTi9AzUsoWP4s-rHShxb31OGuDc-AFtt9uyRi1j9lTjP8ITb4TTgscWNfybCCWd8XhxQjfpoqA9H5cU-I8/s320/ericpass.jpg" alt="" id="BLOGGER_PHOTO_ID_5320787577930915906" border="0" /></a><br /><span style="font-family:comic sans ms;font-size:85%;color:green;">Real Name: Eric Patrick Clapton<br /><br />Occupation: Musician, Guitarist<br /><br />Date of Birth: March 30, 1945<br /><br />Place of Birth: Ripley, England, U.K.<br /><br />Sign: Sun in Aries, Moon in Scorpio<br /><br />Education: Expelled from Kingston College of Art<br /><br />Relations: Wife : Melia McEnery; Ex-wife: Pattie Boyd Harrison; Son: Conor (deceased);<br />Daughters : Ruth Patricia-Clapton (Born 11th Jan 1985); Julie Rose Clapton (Born 15th Jun 2001), Ella Mae Clapton (Born 14th Jan 2003), Sophie Clapton (Born 1st Feb 2005)<br /><br />IN the late 1960s, one of the most prominent pieces of graffiti seen in London and New York was "Clapton is God." Thirty years later, the stalwart guitarist and singer continues to hold the initiated enthralled, and a fair share of his present-day fans weren't even born when those words of worship were emblazoned on public edifices. Clapton's meandering and groundbreaking musical career has been punctuated by extreme personal hardship and tragedy. Through the emotional truth of his music, he has sought refuge and release from the suffering of drug and alcohol addiction, personal relationships gone awry, and the deaths of several loved ones.<br /><br />Eric Patrick Clapton was born on March 30, 1945, in his grandparent's house at 1, The Green, Ripley, Surrey, England. He was the illegitimate son of Patricia Molly Clapton and Edward Fryer, a Canadian soldier stationed in England. After W.W.II Fryer returned to his wife in Canada, Patricia left Eric in the custody of his grandparents, Rose and Jack Clapp. (The surname Clapton is from Rose's first husband, Reginald Cecil Clapton.) Patricia moved to Germany where she eventually married another Canadian soldier, Frank McDonald.<br /><br />Young Ricky (that's what his grandparent's called him) was a quiet and polite child, an above average student with an aptitude for art. He was raised believing that his grandparents were his parents and his mother was his sister, to shield him the stigma that illegitimacy carried with it. The truth was eventually revealed to him, at the age of nine by his grandmother. Later, when Eric would visit his mother, they would still pretend to be brother and sister.<br /><br />As an adolescent, Clapton glimpsed the future when he tuned in to a Jerry Lee Lewis appearance on British television. Lewis's explosive performance, coupled with young Eric's emerging love of the blues and American R&B, was powerful enough to ignite a desire to learn to play guitar. He commenced studies at the Kingston College of Art, but his intended career path in stained-glass design ended permanently when the blues-obsessed Clapton was expelled at seventeen for playing guitar in class. He took a job as a manual laborer and spent most of his free time playing the electric guitar he persuaded his grandparents to purchase for him. In time, Clapton joined a number of British blues bands, including the Roosters and Casey Jones, and eventually rose to prominence as a member of the Yardbirds, whose lineup would eventually include all three British guitar heroes of the sixties: Clapton, Jimmy Page, and Jeff Beck. The group became a sensation for their blues-tinged rock, as did the budding guitar virtuoso Clapton, who earned the nickname "Slowhand" because his forceful string-bending often resulted in broken guitar strings, which he would replace onstage while the crowd engaged in a slow hand-clapping.<br /><br />Despite the popularity of the band's first two albums, Five Live Yardbirds and For Your Love, Clapton left in 1965, because he felt the band was veering away from its bluesy bent in favor of a more commercially viable pop focus. He joined John Mayell's Bluesbreakers almost immediately, and in the ferment of that band's purist blues sensibilities, his talent blossomed at an accelerated rate--he quickly became the defining musical force of the group. "Clapton is God" was the hue and cry of a fanatic following that propelled the band's Bluesbreakers album to No. 6 on the English pop charts. Clapton parted company with the Bluesbreakers in mid-1966 to form his own band, Cream, with bassist Jack Bruce and drummer Ginger Baker. With this lineup, Clapton sought "to start a revolution in musical thought . . . to change the world, to upset people, and to shock them." His vision was more than met as Cream quickly became the preeminent rock trio of the late sixties. On the strength of their first three albums (Fresh Cream, Disraeli Gears, and Wheels of Fire) and extensive touring, the band achieved a level of international fame approaching that of the Rolling Stones and the Beatles, and Clapton became even more almighty in the minds of his fans. In fact, the "Clapton is God" gospel contributed largely to Cream's disintegration--the band had always been a three-headed beast of warring egos, and their intense chemistry, exacerbated by the drug abuse of all three, inevitably led to a farewell tour in 1968 and the release of the Goodbye album in 1969. Early in 1969, Clapton united with Baker, bassist Rick Grech, and Traffic's Steve Winwood to record one album as Blind Faith, rock's first "supergroup." In support of their self-titled album, Blind Faith commenced a sold-out, twenty-four-city American tour, the stress of which resulted in the demise of the band less than a year after its inception.<br /><br />Clapton kept busy for a time as an occasional guest player with Delaney & Bonnie, the husband-and-wife team that had been Blind Faith's opening act during their tour. A disappointing live album from that collaboration was released in 1970, as was Clapton's self-titled solo debut. That album featured three other musicians--bassist Carl Radle, keyboardist Bobby Whitlock, and drummer Jim Gordon--from Delaney's band, and yielded a modest pop hit with Clapton's version of J.J. Cale's "After Midnight." The collective proceeded to baptize themselves Derek and the Dominos, and commenced recording Clapton's landmark double album Layla and Other Assorted Love Songs, with the added contribution of slide guitarist Duane Allman. An anguished lament of unrequited love, "Layla" was inspired by a difficult love triangle between Clapton, his close friend George Harrison, and Harrison's wife Pattie (she and Clapton eventually married in 1979 and divorced in 1988). Unfortunately, personal struggles and career pressure on the guitarist led to a major heroin addiction. Derek and the Dominos crumbled during the course of an American tour and an aborted attempt to record a second album.<br /><br />Clapton withdrew from the spotlight in the early seventies, wallowing in his addiction and then struggling to conquer it. Following the advice of the Who's Pete Townsend, he underwent a controversial but effective electro-acupuncture treatment and was fully rehabilitated. He rebounded creatively with a role in the film version of Townsend's rock opera, Tommy, and with a string of albums, including the reggae-influenced 461 Ocean Boulevard, which yielded a chart-topping single cover of Bob Marley's "I Shot the Sheriff." Some critics and fans were disappointed by Clapton's post-rehab efforts, feeling that he had abandoned his former guitar-heavy approach in favor of a more laid-back and vocal-conscious one.<br /><br />Just One Night, Clapton's galvanizing 1980 live album, reminded devotees just exactly who their guitar hero was, but unfortunately, this period marked Clapton's critical slide into a serious drinking problem that eventually hospitalized him for a time in 1981. He experienced a creative resurgence after reining in his alcoholism, releasing a string of consistently successful albums--Another Ticket (1981), Money and Cigarettes (1983), Behind the Sun (1985), August (1986), Journeyman (1989)--and turning his personal life around. Though some say Clapton never regained the musical heights of his heroin days, his legend nevertheless continued to grow. That he was a paragon of rock became more than apparent when Polygram released a rich four-CD retrospective of his career, Crossroads, in 1988; the set scored Grammy awards for Best Historical Album and Best Liner Notes.<br /><br />In late 1990, the fates delivered Clapton a terrible blow when guitarist Stevie Ray Vaughan and Clapton road crew members Colin Smythe and Nigel Browne--all close friends of Clapton's--were killed in a helicopter crash. A few months later, he was dealt another cruel blow when Conor, his son by Italian model Lori Del Santo, fell forty-nine stories from Del Santo's Manhattan high-rise apartment to his death. Clapton channeled his shattering grief into writing the heart-wrenching 1992 Grammy-winning tribute to his son, "Tears in Heaven." (Clapton received a total of six Grammys that year for the single and for the album Unplugged.)<br /><br />In 1994, he began once again to play traditional blues; the album, From the Cradle, marked a return to raw blues standards, and it hit with critics and fans. The fifty-one-year-old Clapton shows no signs of slowing down: in February of 1997 he picked up Record of the Year and Best Male Pop Vocal Performance Grammys for "Change the World," from the soundtrack of the John Travolta movie Phenomenon.<br /><br />Already a double inductee into the Rock & Roll Hall of Fame as a member of the Yardbirds and Cream, a third nod as a solo artist is an inevitable honor for the legendary guitarist. Until Clapton springs his next album on a waiting world, fans can content themselves with his latest side project, TDF. The band's techno-pedigreed 1997 release, Retail Therapy, represents a marked musical departure from Clapton's blues-rock roots, and he appears on the album with the correspondingly off-the-wall pseudonym "X-Sample."Click here to goto the "Riding With The King" info page<br /><br />Next came the acclaimed Pilgrim, which captured the Grammy nomination for Best Pop Album in ‘98. In 1999 he won a Grammy for his performance on “The Calling” from Santana’s Supernatural. Clapton revisited the blues with friend and musical legend BB King in 2000’s Riding With The King, garnering the artist more platinum and a Grammy nomination in a career full of chartbusters and precious metal.<br /><br />The only triple inductee into the Rock & Roll Hall of Fame (as a member of both The Yardbirds and Cream and as a solo artist), Eric Clapton continues to astonish and delight a vast spectrum of music lovers. It’s a legacy that continues with the release of Reptile, the latest journey in the lifelong musical odyssey of an authentic musical genius.</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-43128107303802120552009-03-26T02:07:00.000-07:002009-03-29T02:28:49.031-07:00still a friend of mine<span style="color:white;">You know as true as trees are tall<br />And autumn leaves do fall<br />Oh, it sometimes rains in paradise<br />And even the warmest heart can turn to ice<br /><br />I know it happend to us all<br />Every kind of people fall<br />And after all the tears are gone<br />Do we have the heart to carry on<br /><br />Here and now, still somehow<br />Still a friend of mine, oh you're still a friend of mine<br />Still a friend of mine, you're still a friend of mine<br />Still a friend of mine, oh you're still a friend of mine<br /><br /><br />To think of all the times I hurt you<br />And never thought it through<br />Oh, I treated you so badly baby<br />Could such a cruel heart ever be free<br /><br />I know it happens to us all<br />Every kind of people fall<br />Oh, and after all is said and done<br />Do we have the heart to carry on<br /><br />Here and now, still somehow<br />Still a friend of mine, oh you're still a friend of mine<br />Still a friend of mine, you're still a friend of mine<br />Still a friend of mine, oh you're still a friend of mine<br /><br />I know as long as I've got you<br />And we do the things we do<br />The next time baby<br />That our love breaks down<br />I'll do the best that I can<br />To turn it around<br /><br />Here and now, still somehow<br />Still a friend of mine, oh you're still a friend of mine<br />Still a friend of mine, you're still a friend of mine<br />Still a friend of mine, oh you're still a friend of mine<br /><br />Time and time and time again<br />I'm gonna be right here for you baby<br />Seasons come and seasons go<br />Gonna be right here for you</span>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-28298554947732768402009-03-25T07:24:00.000-07:002009-03-25T07:25:44.055-07:00maria mariaWyclef:<br />Ladies and Gents<br />Turn up your sound systems<br />To the sound of Carlos Santana and the G 'n B<br />Ghetto and Blues<br /><br />Chorus:<br />Maria Maria<br />She reminds me of a West Side Story<br />Growing up in Spanish Harlem<br />She's living the life just like a movie star<br /><br />Maria Maria<br />She fell in love in East L.A.<br />To the sounds of the guitar yeah, yeah<br />Played by Carlos Santana<br /><br />Verse 1:<br />Stop the looting, stop the shooting<br />Pick pocking on the corner<br />See as the rich is getting richer<br />The poor is getting poorer<br /><br />Se mira Maria on the corner<br />Thinking of ways to make it better<br />In my mailbox there's an eviction letter<br />Somebody just said see you later<br /><br /><br />Carlos Santana:<br />Ahora vengo mama chola mama chola<br />Ahora vengo mama chola<br /><br />Ahora vengo mama chola mama chola<br />Ahora vengo mama chola<br /><br />Chorus:<br />Maria Maria<br />She reminds me of a West Side Story<br />Growing up in Spanish Harlem oh, oh<br />She's living the life just like a movie star<br /><br />Oh!<br /><br />Maria Maria<br />She fell in love in East L.A.<br />I said to the sounds of the guitar yeah, yeah<br />Played by Carlos Santana<br /><br />Verse 2:<br />I said a la favella los colores<br />The streets are getting hotter<br />There is no water to put out the fire<br />Mi canto la esperanza<br /><br />Se mira Maria on the corner<br />Thinking of ways to make it better<br />Then I looked up in the sky<br />Hoping of feel the paradise!<br /><br />Carlos Santana:<br />Ahora vengo mama chola mama chola<br />Ahora vengo mama chola (Northside)<br />Ahora vengo mama chola mama chola<br />Ahora vengo mama chola (Southside)<br />Ahora vengo mama chola mama chola<br />Ahora vengo mama chola (Worldwide)<br />Ahora vengo mama chola mama chola<br />Ahora vengo mama chola (Open up your eyes)<br /><br />Bridge:<br />Maria you know you're my lover<br />When the wind blows I can feel you through the weather<br />And even when we are apart<br />It still feels like we're together<br /><br />Chorus:<br />Maria Maria<br />She reminds me of a West Side Story<br />Growing up in Spanish Harlem<br />She's living the life just like a movie star<br /><br />Oh!<br /><br />Maria Maria! Oh!<br />She fell in love in East L.A.<br />To the sounds of the guitar<br />Played by Carlos Santanaarthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-10711837214147841482009-03-25T07:23:00.001-07:002009-03-25T07:24:15.568-07:00no woman no crySaid said<br />Said I remember when we used to sit<br />In the government yard in Trenchtown<br />Oba, ob-serving the hypocrites<br />As they would mingle with the good people we meet<br />Good friends we have had, oh good friends we've lost along the way<br />In this bright future you can't forget your past<br />So dry your tears I say<br /><br />No woman, no cry<br />No woman, no cry<br />Oh my Little sister, don't she'd no tears<br />No woman, no cry<br /><br />Said, said, said I remember when we used to sit<br />In the government yard in Trenchtown<br />And then Georgie would make the fire light<br />Log wood burnin' through the night<br />Then we would cook corn meal porridge<br />Of which I'll share with you<br /><br />My feet is my only carriage<br />So I've got to push on through<br />But while I'm gone...<br /><br />Everything's gonna be alright<br />Ev'rything's gonna be alright<br />Ev'rything's gonna be alright<br />Ev'rything's gonna be alright<br />Ev'rything's gonna be alright<br />Ev'rything's gonna be alright<br />Ev'rything's gonna be alright<br />Ev'rything's gonna be alright<br /><br />No woman, no cry<br />No, no woman, no woman, no cry<br />Oh, little sister, don't she'd no tears<br />No woman, no cry<br /><br />No woman, no woman, no woman, no cry<br />No woman, no cry<br />Oh, my little darlyn no she'd no tears<br />No woman, no cry, yeah<br /> any sister no she'd no tears, no women no cry<br /><br /><br />No woman no cry, no woman no cry<br />No woman no cry, no woman no cry<br /><br />Say, say, said I remember when we used to sit<br />In a government yard in Trenchtown<br />Obba, obba, serving the hypocrites<br />As the would mingle with the good people we meet<br />Good friends we have, oh, good friends we've lost<br />Along the way<br />In this great future,<br />You can't forget your past<br />So dry your tears, I say<br /><br />No woman no cry, no woman no cry<br />Little darling, don't she'd no tears, no woman no cry<br />Say, say, said I remember when we used to sit<br />In the government yard in Trenchtown<br />And then Georgie would make the fire light<br />As it was, love would burn on through the night<br />Then we would cook cornmeal porridge<br />Of which I'll share with you<br />My fear is my only courage<br />So I've got to push on thru<br />Oh, while I'm gone<br /><br />Everything 's gonna be alright, everything 's gonna be alright<br />Everything 's gonna be alright, everything 's gonna be alright<br />Everything 's gonna be alright, everything 's gonna be alright<br />Everything 's gonna be alright, everything 's gonna be alright<br />So woman no cry, no, no woman no cry<br />Oh, my little sister<br />Don't she'd no tears<br />No woman no cry<br />I remember when we use to sit<br />In the government yard in Trenchtown<br />And then Georgie would make the fire lights<br />As it was, log would burnin' through the nights<br />Then we would cook cornmeal porridge<br />Of which I'll share with you<br />My fear is my only courage<br />So I've got to push on thru<br />Oh, while I'm gone<br />No woman no cry, no, no woman no cry<br />Oh, my little darlin'<br />Don't she'd no tears<br />No woman no cry, No woman no cry<br /><br /> Oh my Little darlin', don't she'd no tears<br />No woman no cry<br />Little sister, don't she'd no tears<br />No woman no cryarthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-16512356455152714932009-03-25T07:20:00.000-07:002009-03-25T07:34:47.949-07:00i'm yours<font color="green">Intro Chords (relative to Capo): G D Em C<br />Intro Tab (relative to Capo):<br /><br />------------------------------------------------|<br />------------------------------------------------|<br />--7/9-7-----7/9-7-----7/9-----------------------|<br />--------------------------9----9--9/10---10/5---| x2<br /><br /> <a id="ch1" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">G</a><br />Well you dawned on me and you bet I felt it,<br /> <a id="ch4" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">D</a><br />I tried to be chill but you're so hot that I melted,<br /><br /> <a id="ch8" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">Em</a><br />I fell right through the cracks,<br /><br /><a id="ch11" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">C</a><br />And now I'm tryin to get back....<br /><br /> <a id="ch2" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">G</a><br />Before the cool dun run out, Ill be givin it my bestest<br /><br /> <a id="ch5" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">D</a><br />Nothin's gonna stop me but divine intervention<br /><br /> <a id="ch9" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">Em</a><br />I reckon its again my turn,<br /><br /> <a id="ch12" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">C</a> <a id="ch6" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">D</a><br />To Win some or learn some....<br /><br />CHORUS:<br /><br /><a id="ch3" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">G</a> <a id="ch7" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">D</a><br />But I wont hesitate<br /><br /> <a id="ch10" href="http://www.ultimate-guitar.com/tabs/j/jason_mraz/im_yours_crd.htm" onclick="return false" onmousemove="'showAcc(" onmouseout="tc('tip') " class="ch">Em</a><br />No more, No more<br /><br /> C G---D---Em---C----(D again if it feels good)<br />It can not wait; I'm Yours<br /></font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-66780512951932461802009-03-25T07:17:00.000-07:002009-03-25T07:19:20.212-07:00hotel california{title:Hotel California}<br /><br />[Bm]On a dark desert highway, [F#]cool wind in my hair<br />[A]Warm smell of colitas, [E]rising through the air<br />[G]Up ahead in the distance, [D]I saw a shimering light<br />[Em]My head grew heavy and my sight grew dim, [F#]I had to stop for the night<br /><br />[Bm]There she stood in the doorway, [F#]I heard the mission bell<br />[A]And I was thinking to myself: this could be [E]heaven or this could be hell<br />[G]Then she lit up a candle [D]and she showed me the way<br />[Em]There were voices down the corridor; [F#]I thought I heard them say:<br /><br />{start_of_chorus}<br />"[G]Welcome to the Hotel Califor[D]nia<br />[F#]Such a lovely place (such a lovely place), such a [Bm]lovely face<br />[G]Plenty of room at the Hotel Califor[D]nia<br />Any [Em]time of year (any time of year), you can [F#]find it here"<br />{end_of_chorus}<br /><br />[Bm]Her mind is Tiffany twisted, [F#]she got the Mercedes Benz<br />[A]She got a lot of pretty, pretty boys, [E]that she calls friends<br />[G]How they dance in the courtyard, [D]sweet summer sweat<br />[Em]Some dance to remember, [F#]some dance to forget<br /><br />[Bm]So I called up the captain, "[F#]Please bring me my wine", He said<br />[A]"We haven't had that spirit here since [E]nineteen sixty-nine"<br />[G]And still those voices are calling from [D]far away<br />[Em]Wake you up in the middle of the night, [F#]just to hear them say:<br /><br />"[G]Welcome to the Hotel Califor[D]nia<br />[F#]Such a lovely place (such a lovely place), such a [Bm]lovely face<br />They [G]livin' it up at the Hotel Califor[D]nia<br />What a [Em]nice surprise (what a nice surprise), bring your [F#]alibis"<br /><br /><br />[Bm]Mirrors on the ceiling, [F#]the pink champagne on ice, and she said<br />"[A]We are all just prisoners here, [E]of our own device"<br />[G]And in the master's chambers, [D]they gathered for the feast<br />[Em]They stab it with their steely knives but they [F#]just can't kill the beast<br /><br />[Bm]Last thing I remember, I was [F#]running for the door<br />[A]I had to find the passage back to the [E]place I was before<br />"[G]Relax," said the night man, "We are [D]programmed to receive<br />[Em]You can check out any time you like, but [F#]you can never leave"<br /><br />{comment: chorus}<br /><br /><br /><br /><br /><br />hotel california<br />eagles<br /><br />E|--------------------7--10--12--|------9----------9----------| I<br />B|--7-----7-----7----------------|--11-----11-------------11--| N<br />G|--7--7-----------7-----7---9---|--11---------11-----11------| T<br />D|--9--------9-------------------|--8-------------------------| R<br />A|--9----------------------------|----------------------------| O<br />E|--7----------------------------|----------------------------|<br /><br />E|--5-----5--5--7--5--------5--7--7-----|-----7-----7--------7--|<br />B|-----5-----------------5-----------7--|--7-----------7--------|<br />G|--------------------------------------|--7-----7--------7-----|<br />D|--7-----------------7--------7--------|-----------------------|<br />A|--------------------------------------|-----------------------|<br />E|--------------------------------------|-----------------------|<br /><br />E|-----7-----7--------7-------------10--|<br />B|--8-----------8--------8--10^h12------|<br />G|--7-----7--------7--------------------|<br />D|--9-----------------------------------|<br />A|--------------------------------------|<br />E|--------------------------------------|<br /><br />E|------10----------10----------10----------10------|<br />B|--10------------------------------10----------11--|<br />G|----------11--11------11--11----------------------|<br />D|--------------------------------------12----------|<br />A|--------------------------------------------------|<br />E|--------------------------------------------------|<br /><br />E|-----7-----7--------7--7---------|------9------9----------9--|<br />B|--------------8--8--------8------|----------------11---------|<br />G|--9-----9--------------------9---|--11-----11---------11-----|<br />D|---------------------------------|---------------------------|<br />A|-----------------------------10--|--9------------------------|<br />E|---------------------------------|---------------------------|<br /><br />E|--7--7-----10--------7--7-----------|------9----------9----------|<br />B|--7-----7------7--7--------7--------|--11-----11-------------11--|<br />G|--7---------------------------7^h9--|--11---------11-----11------|<br />D|--9--------9------------------------|--8-------------------------|<br />A|--9---------------------------------|----------------------------|<br />E|--7---------------------------------|----------------------------|<br /><br />E|--5-----5--5--7--5--------5--7--7-----|--------------------7--|<br />B|-----5-----------------5-----------7--|--7--7-----------------|<br />G|--------------------------------------|--7-----7-----7--------|<br />D|--7-----------------7--------7--------|--9--------9-----9-----|<br />A|--------------------------------------|-----------------------|<br />E|--------------------------------------|-----------------------|<br /><br />E|-----7-----7--------7-------------10--|<br />B|--8-----------8--------8--10^h12------|<br />G|--7-----7--------7--------------------|<br />D|--9-----------------------------------|<br />A|--------------------------------------|<br />E|--------------------------------------|<br /><br />E|------10----------10------------------------------|<br />B|--10--------------------------10----------10------|<br />G|----------11--11------11--11------11--------------|<br />D|--------------------------------------12------12--|<br />A|--------------------------------------------------|<br />E|--------------------------------------------------|<br /><br />E|-----7-----7--------7--7---------|------9------9----------9--|<br />B|--------------8--8--------8------|----------------11---------|<br />G|--9-----9--------------------9---|--11-----11---------11-----|<br />D|---------------------------------|---------------------------|<br />A|-----------------------------10--|--9------------------------|<br />E|---------------------------------|---------------------------|<br /><br />(The INTRO is now repeated as the first half of verse 1 before the<br />chords take over)<br /><br />SOLO<br /> ~~~~~~<br />E|-----------------7--|--9b(10)-----------------------------|<br />B|----------7^h10-----|----------------~~-------------------|<br />G|--9b(11)------------|----------9^h11^p9--7--9--9b(11)--7--|<br />D|--------------------|-------------------------------------|<br />A|--------------------|-------------------------------------|<br />E|--------------------|-------------------------------------|<br /><br />E|---------------------------------|<br />B|---------------------------------|<br />G|----~~~----------------~~~-------|<br />D|--7b(8)--9--9^p8^p7--7b(8)r(7)\--|<br />A|---------------------------------|<br />E|---------------------------------|<br /><br />E|---------------------------------------------------------|<br />B|---------------------------------------------------------|<br />G|--7--9--9b(11)--7-------~~--7--9--9b(11)--7--------------|<br />D|-------------------9^p8^h9-------------------9^p7^h9^p7--|<br />A|---------------------------------------------------------|<br />E|---------------------------------------------------------|<br /><br />E|-----------7--10--7-------------~~~~~--7-----10b(12)^^^<br />B|--10b(12)------------10^p7^h10--8b(9)-----7-----------|<br />G|------------------------------------------------------|<br />D|------------------------------------------------------|<br />A|------------------------------------------------------|<br />E|------------------------------------------------------|<br /><br /> .<br />E|^^--10--10b(12)r(10)--7---------------10--------------(10)X--(10)X--|<br />B|-------------------------10--10b(12)------(12)r10--8----------------|<br />G|--------------------------------------------------------------------|<br />D|--------------------------------------------------------------------|<br />A|--------------------------------------------------------------------|<br />E|--------------------------------------------------------------------|<br /><br />E|----------10------------------------|<br />B|------------------------------~-----|<br />G|--9b(11)------(11)r9^p7--7/6--7--7^^^<br />D|------------------------------------|<br />A|------------------------------------|<br />E|------------------------------------|<br /><br />E|---------------------------------------------------------------------|<br />B|---------------------------------------- PH --------------------~--|<br />G|^h9/12--11b(12)r11--9------9--11b(12)--11b(12)--11b(12)r11--9--7--9--|<br />D|-----------------------12--------------------------------------------|<br />A|---------------------------------------------------------------------|<br />E|---------------------------------------------------------------------|<br /><br />E|-------------------------7-------------------|<br />B|----------7--10-------------7--------~~~~~~--|<br />G|--9b(11)---------9b(11)--------9^p7--9b(11)--|<br />D|---------------------------------------------|<br />A|---------------------------------------------|<br />E|---------------------------------------------|<br /><br />E|-------------------------7----------7---------------------------------|<br />B|----------7--10------------------------7----------7-------------------|<br />G|--9b(11)---------9b(11)-----9b(11)--------9b(11)-----(11)r9^p7^h9^p7--|<br />D|----------------------------------------------------------------------|<br />A|----------------------------------------------------------------------|<br />E|----------------------------------------------------------------------|<br /><br />E|----------------|--------------------------------------------------|<br />B|--~~~~~~--(7)/--|--9b(10)(then release 1/4)-----7------------------|<br />G|--9b(11)--------|----------------------------9-----7(bend up 1/4)--|<br />D|----------------|--------------------------------------------------|<br />A|----------------|--------------------------------------------------|<br />E|----------------|--------------------------------------------------|<br /><br />E|--------------------------7------------------10----------------------|<br />B|-----10b(12)r10--10b(12)-----10^p7--10b(12)------10--12--11--10--9/--|<br />G|---------------------------------------------------------------------|<br />D|--9------------------------------------------------------------------|<br />A|---------------------------------------------------------------------|<br />E|---------------------------------------------------------------------|<br /><br />E|-------------------12---------------17-----------------------|<br />B|-----------12--15------15--17b(19)------(19)r17--15--17--15--|<br />G|--14b(16)----------------------------------------------------|<br />D|-------------------------------------------------------------|<br />A|-------------------------------------------------------------|<br />E|-------------------------------------------------------------|<br /><br />E|-----------14--16--17--17b(19)-----------~~--------------|<br />B|--17b(19)-----------------------(19)r17--15--17--17^p15--|<br />G|---------------------------------------------------------|<br />D|---------------------------------------------------------|<br />A|---------------------------------------------------------|<br />E|---------------------------------------------------------|<br /><br />E|-----------17--17-----------~~~~~~~-------------------|<br />B|--17b(19)----------(19)r17--17b(19)--(19)r17^p15^h17--|<br />G|------------------------------------------------------|<br />D|------------------------------------------------------|<br />A|------------------------------------------------------|<br />E|------------------------------------------------------|<br /><br />E|-----------17--17-----------~~~~~~~--14^^^^^^^^--17b(19)^^|<br />B|--17b(19)----------(19)r17--17b(19)-----------------------|<br />G|-------------------------------------19^p18^p16-----------|<br />D|----------------------------------------------------------|<br />A|----------------------------------------------------------|<br />E|----------------------------------------------------------|<br /><br />E|^^(19)--------------------------------------------|------|<br />B|-----------------12-----------12------------------|--~~--|<br />G|--------15b(16)------15b(16)----------------------|--15--|<br />D|-----------------------------------16\12----------|------|<br />A|------------------------------------------14--13--|------|<br />E|--------------------------------------------------|------|<br /><br />(bend from 12 to 14 and release gradually over the next 9 notes so that<br />the tenth is an E at the 12'th fret)<br /><br />E|--12b(14)r(14)r(14)r(14)r(14)r(13)r(13)r(13)r(13)r12--12^p10------12--10--|<br />B|--------------------------------------------------------------12----------|<br />G|--------------------------------------------------------------------------|<br />D|--------------------------------------------------------------------------|<br />A|--------------------------------------------------------------------------|<br />E|--------------------------------------------------------------------------|<br /><br />E|----------------------------------------------------|<br />B|--12--10----------------------------10\-------------|<br />G|----------(11)r9------9------9--11-------7--9b(11)--|<br />D|------------------12-----12-------------------------|<br />A|----------------------------------------------------|<br />E|----------------------------------------------------|<br /><br />E|-----------------------------------------------------------|<br />B|--15^p12--14^p10--12^p8--10^p7--8--------------------------|<br />G|--------------------------------7--------------------------|<br />D|--16^p12--14^p11--12^p9--11^p7--9--0^h4-----------------0--|<br />A|-----------------------------------------5^h7^p5-----------|<br />E|--------------------------------------------------5^h7-----|<br /><br /> ~~ ~~ ~~<br />E|--14--12^p10--10^p9--10-~--|--~--~--~~--~~--|--~~--9---10--12--|<br />B|--15--10^^^^---------7--7--|--8--8--10--12--|--11--11--12--14--|<br />G|--14--11^^^^--11^p9--7--7--|--9--9--11--12--|--11--------------|<br />D|---------------------------|----------------|------------------|<br />A|---------------------------|----------------|------------------|<br />E|---------------------------|----------------|------------------|<br /><br />E|--14--10------14--10------14--10------14--10------14--10-------|<br />B|--12--12--12--12--12--12--12--12--12--12--12--12--12--12--12\--|<br />G|---------------------------------------------------------------|<br />D|---------------------------------------------------------------|<br />A|---------------------------------------------------------------|<br />E|---------------------------------------------------------------|<br /> ~~<br />E|--12--9-------12--9-------12--9---18--|<br />B|--11--11--11--11--11--11--11--11--19--|<br />G|--------------------------------------|<br />D|--------------------------------------|<br />A|--------------------------------------|<br />E|--------------------------------------|<br /><br />E|--12--9-------12--9-------12--9-------12--9-------12--9--------|<br />B|--10--10--10--10--10--10--10--10--10--10--10--10--10--10--10\--|<br />G|---------------------------------------------------------------|<br />D|---------------------------------------------------------------|<br />A|---------------------------------------------------------------|<br />E|---------------------------------------------------------------|<br /> ~~<br />E|--10--7-----10--7-----10--7--16--|<br />B|--9---9--9--9---9--9--9---9--17--|<br />G|---------------------------------|<br />D|---------------------------------|<br />A|---------------------------------|<br />E|---------------------------------|<br /><br />E|--10--7-----10--7-----10--7-----10--7-----10--7-----|<br />B|--8---8--8--8---8--8--8---8--8--8---8--8--8---8--8--|<br />G|----------------------------------------------------|<br />D|----------------------------------------------------|<br />A|----------------------------------------------------|<br />E|----------------------------------------------------|<br /> ~~<br />E|--10--5-----10--5-----10--5--14--|<br />B|--7---7--7--7---7--7--7---7--15--|<br />G|---------------------------------|<br />D|---------------------------------|<br />A|---------------------------------|<br />E|---------------------------------|<br /><br />E|-----------------------------------------------------|<br />B|--12--8-----12--8-----12--8-----12--8-----12--8------|<br />G|--9---9--9--9---9--9--9---9--9--9---9--9--9---9--9\--|<br />D|-----------------------------------------------------|<br />A|-----------------------------------------------------|<br />E|-----------------------------------------------------|<br /><br />E|----------------------------------~~--|<br />B|--14--11------14--11------14--11--14--|<br />G|--11--11--11--11--11--11--11--11--14--|<br />D|--------------------------------------|<br />A|--------------------------------------|<br />E|--------------------------------------| (fade....)<br />E|--14--10------14--10------14--10------14--10------14--10-------|<br />B|--12--12--12--12--12--12--12--12--12--12--12--12--12--12--12\--|<br />G|---------------------------------------------------------------|<br />D|---------------------------------------------------------------|<br />A|---------------------------------------------------------------|<br />E|---------------------------------------------------------------|<br /> ~~<br />E|--12--9-------12--9-------12--9---18--|<br />B|--11--11--11--11--11--11--11--11--19--|<br />G|--------------------------------------|<br />D|--------------------------------------|<br />A|--------------------------------------|<br />E|--------------------------------------|<br /><br />E|--12--9-------12--9-------12--9-------12--9-------12--9--------|<br />B|--10--10--10--10--10--10--10--10--10--10--10--10--10--10--10\--|<br />G|---------------------------------------------------------------|<br />D|---------------------------------------------------------------|<br />A|---------------------------------------------------------------|<br />E|---------------------------------------------------------------|<br /> ~~<br />E|--10--7-----10--7-----10--7--16--|<br />B|--9---9--9--9---9--9--9---9--17--|<br />G|---------------------------------|<br />D|---------------------------------|<br />A|---------------------------------|<br />E|---------------------------------|<br /><br />E|--10--7-----10--7-----10--7-----10--7-----10--7-----|<br />B|--8---8--8--8---8--8--8---8--8--8---8--8--8---8--8--|<br />G|----------------------------------------------------|<br />D|----------------------------------------------------|<br />A|----------------------------------------------------|<br />E|----------------------------------------------------|<br /> ~~<br />E|--10--5-----10--5-----10--5--14--|<br />B|--7---7--7--7---7--7--7---7--15--|<br />G|---------------------------------|<br />D|---------------------------------|<br />A|---------------------------------|<br />E|---------------------------------|<br /><br />E|-----------------------------------------------------|<br />B|--12--8-----12--8-----12--8-----12--8-----12--8------|<br />G|--9---9--9--9---9--9--9---9--9--9---9--9--9---9--9\--|<br />D|-----------------------------------------------------|<br />A|-----------------------------------------------------|<br />E|-----------------------------------------------------|<br /><br />E|----------------------------------~~--|<br />B|--14--11------14--11------14--11--14--|<br />G|--11--11--11--11--11--11--11--11--14--|<br />D|--------------------------------------|<br />A|--------------------------------------|<br />E|--------------------------------------| <br /><br />--<br /><br />Hotel N2:<br /><br />============================================================================<br />but you can never leave...<br /><br />------------|-------------------------------|-------------------|<br />------10/12-|-h15-10-12--------------7------|-------------------|<br />-4/11-------|-----------10\9-----7-9----7h8-|------4/7\4--------|<br />------------|-------------------------------|-8-----------7h8\4-|<br />------------|-------------------------------|-------------------|<br />------------|-------------------------------|-------------------|<br /><br />------------------------------------|------?----------------------7---10h12-|<br />--------7---------------7-----------|-10h12--10h12h10\7-10-8h9------7-------|<br />----7/9---7h8-------7/9---7h8-------|---------------------------------------|<br />---x----------9\8-9-----------9\8-9-|---------------------------------------|<br />--x---------------------------------|---------------------------------------|<br />-x----------------------------------|---------------------------------------|<br /><br />---10-(10)-12po10\7-------10-----------------|------10---------------------|<br />--------------------10h12----(10)-12h10\8-x--|-----------------------------|<br />---------------------------------------------|-9h11----9h11po9-7-7\6-7-----|<br />-------------------------------------------x-|-----------------------------|<br />---------------------------------------------|-----------------------------|<br />---------------------------------------------|-----------------------------|<br /><br />-----------------------------------------------|<br />-----7h8-(7)-8po7-------7h8-(7)h8-(7)h8po7-----|<br />-7/9--------------9\7-9--------------------9\7-|<br />-----------------------------------------------|<br />-----------------------------------------------|<br />-----------------------------------------------|<br /><br />------------------7---------------------|<br />------7-10------7-----------------------|<br />-9h11------9h11-----(9)h11po9\7-9h11----|<br />----------------------------------------|<br />----------------------------------------|<br />----------------------------------------|<br /><br />------------------7------7-7---------------|<br />------7-10------7--------7-7---------------|<br />-9h11------9h11-----9h11-----9h11po9\7-9\7-|<br />-------------------------------------------|<br />-------------------------------------------|<br />-------------------------------------------|<br /><br />---------------|------------------------------------------|<br />---------------|----7h10po7-5-7--------10h12-(10)h12-10-7-|<br />-11/19---------|--x-------------7h8-----------------------|<br />---------------|-x------------------9---------------------|<br />---------------|x-----------------------------------------|<br />---------------|------------------------------------------|<br /><br />-------10---------------------|--------------12----------------|<br />-10/12----10-12-11-10-9/17----|-----12-15h16----15-17\15-17\15-|<br />----------------------------14|h16-----------------------------|<br />------------------------------|--------------------------------|<br />------------------------------|--------------------------------|<br />------------------------------|--------------------------------|<br /><br />-------15-16-17-17h19-----------------------------|<br />-17/19----------------(17)h19po17-15----17--17\15-|<br />--------------------------------------------------|<br />--------------------------------------------------|<br />--------------------------------------------------|<br />--------------------------------------------------|<br /><br />--------17-17------------------------------|<br />-17h19--------(17)h19po17-15-----17--17\15-|<br />-------------------------------------------|<br />-------------------------------------------|<br />-------------------------------------------|<br />-------------------------------------------|<br /><br />--------17-17-------------------------------------|<br />-17h19--------(17)h19p17-(17)h19---(17)h19po17-15-|<br />--------------------------------------------------|<br />--------------------------------------------------|<br />--------------------------------------------------|<br />--------------------------------------------------|<br /><br />------17-17---------------------------------------||<br />-? ?--------(17)h19po17-(17)h19----(17)h19po17\15-||<br />--------------------------------------------------||<br />--------------------------------------------------||<br />--------------------------------------------------||<br />--------------------------------------------------||<br /><br />-----------------10-------10----------|---------------------|<br />-14h15-----13h15----13h15-------------|---11----------------|<br />-----------------------------11\7-----|---------------------|<br />----------------------------------9-8-|---------------------|<br />--------------------------------------|---------------------|<br />--------------------------------------|---------------------|<br /><br />------------------------------------------------------------------------<br />-17h19--(17)h19-(17)h18-(17)h18-(17)h18-(17)h18-(17)h18po17-(17)h18po17-<br />------------------------------------------------------------------------<br />------------------------------------------------------------------------<br />------------------------------------------------------------------------<br />------------------------------------------------------------------------<br /><br />-------------------------|---------------------------------|<br />-17-17-17\15----17-15/16-|---------------------------------|<br />-------------16----------|-16-----14-----------------14--?-|<br />-------------------------|-----------16\14\12-14/16--------|<br />-------------------------|---------------------------------|<br /><br />-7--------------------------------|----7----------------------------|<br />---7-10---7-----------------------|------10-------------------------|<br />--------9---7-9---7---------------|---------11-(9)h11po9-7--------7-|<br />----------------9-----7-----------|-7-------------------------------|<br />--------------------9---9\7-5-7/9-|---------------------------------|<br />----------------------------------|---------------------------------|<br /><br />---------------------|------------------9---|<br />---------------------|---------11-12--------|<br />-9-----9--11-----12--|-11-------------------|<br />---------------------|----------------------|<br />---------------------|----------------------|<br />---------------------|----------------------|<br /><br />Now the rest of this is the ending repeat section:<br /><br />-10\7---10\7---10\7---10\7---10\7-----|<br />------7------7------7------7------7\5-|<br />--------------------------------------|<br />--------------------------------------|<br />--------------------------------------|<br />--------------------------------------|<br /><br />-9\6---9\6---9\6-12/14---------|-9\5---9\5---9\5---9\5---9\5-------|<br />-----7-----7-------------------|-----5-----5-----5-----5-----5-----|<br />-------------------------------|-----------------------------------|<br />-------------------------------|-----------------------------------|<br />-------------------------------|-----------------------------------|<br />-------------------------------|-----------------------------------|<br /><br />-7\4---7\4---7\4---10/12--------|-7\3---7\3---7\3---7\3---7\3----|<br />-----5-----5-----5--------------|-----3-----3-----3-----3-----3--|<br />--------------------------------|--------------------------------|<br />--------------------------------|--------------------------------|<br />--------------------------------|--------------------------------|<br />--------------------------------|--------------------------------|<br /><br />-5\2---5\2---5\2--8/10-------|-3\0---3\0---3\0---3\0---3\0---|<br />-----3-----3-----------------|-----0-----0-----0-----0-----0-|<br />-----------------------------|-------------------------------|<br />-----------------------------|-------------------------------|<br />-----------------------------|-------------------------------|<br />-----------------------------|-------------------------------|<br /><br />-6\2---6\2---6\2--7/9-------------|<br />-----2-----2----------------------|<br />----------------------------------| and repeat this last section to fade<br />----------------------------------|<br />----------------------------------|arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-69930353568477247322009-03-25T07:16:00.000-07:002009-04-04T04:30:39.356-07:00walkin blues<font size="2" color="gray" face="comic sans ms">Woke up this morning, feel 'round for my shoes,<br />You know 'bout that babe, had them old walkin' blues.<br />Woke up this morning, I feel 'round for my shoes,<br />You know 'bout that babe, Lord, I had them old walkin' blues.<br /><br />Leavin' this morning, I had to go ride the blinds.<br />I've been mistreated, don't mind dying.<br />This morning, I had to go ride the blinds,<br />I've been mistreated, Lord, I don't mind dying.<br /><br />People tell me walkin' blues ain't bad<br />Intro:<br /> G<br /> ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~<br />|-10/12-12-12-11/12-12-12-11/12-12-12-11/12-12-12-----------------------------------------0--|<br />|-10/12-------------------11/12-------11/12-------11/12---11/12-11/12---11/12--------x-------|<br />|-------------------------------------------------11/12---11/12---------------12-----x-------|<br />|-----------------------------------------------------------------------------12-----x-------|<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G<br /> ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~~~~ ~~ ~~~~~ ~~ ~~ ~~ ~~ <br />~~ F#<br />|-10/12-12-12-11/12-12-12-11/12-12-12-11/12-12-12-------12-------12--------------------------|<br />|-10/12-------------------------------------------11/12----11/12----11/12---------12-12---11-|<br />|-------------------------------------------------------------------------12-12---12-12---11-|<br />|---------------------------------------------------------------------------------12-12---11-|<br />|---------------------------------------------------------------------------------12-12---11-|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> F C<br /> ~~ ~~~~<br />|----------x---------------------------------------------------------------------------------|<br />|-10-------x---------------------------------------------------------------------------------|<br />|-10-------x--------5------------------------------------------------------------------------|<br />|-10-------x--------5------------------------------------------------------------------------|<br />|----------------3//5--------------------------------0---------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x<br /><br /><br /> C<br /> ~ ~ ~ ~ ~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-5--------5--------5/3----0/3---------------------------------------------------------------|<br />|-5-----5--5-----5--5/3----0/3--0-----0------------------------------------------------------|<br />|-5-----5--5-----5--5/3----0/3--0-----0-----0--------0--3/5\3-0-2/3-0-2/3--------------------|<br />|-------5--------5-----------------0-------------2/4----------0-2/3-0-2/3--------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G D<br /> ~~~ ~ ~ ~ ~~~ ~~~ ~~~ ~~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|-0----3/5-5-----5--5-----0--------0--5/7------------0--5/7\5----------0---------------------|<br />|-0--------------------------0-2/4-------------0-2/4-------------0-2/4-----------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> C G G7 G6 G+5<br /> ~~~ ~~~ ~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-------------------------------------------0--0-----0--0-----0--0-----0---------------------|<br />|-------------------------------------------0--0-----0--0-----0--0-----0---------------------|<br />|-3/5------------0--5\3---------0-----0--------3--------2--------1-----1---------------------|<br />|-3/5------0-2/4----5\3---0-2/3-0-2/3-0------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G D G<br /> ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0------------------------------------------------------------------------------------------|<br />|-0------------------------------------------------------------------------------------------|<br />|-0--------0-----0--------0--0--------0-----0------------------------------------------------|<br />|------2/4------------------------3/4-0------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x<br /><br /><br />Verse 1:<br /> G7 G6 G G7 G6 G<br /> ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0-----0--0-----0--0-----------------0-----0--0-----0--0------------------------------------|<br />|-0-----0--0-----0--0-----------------0-----0--0-----0--0------------------------------------|<br />|-3--------2--------0--------0-----0--3--------2--------0--------0---------------------------|<br />|------------------------3/4-0-------------------------------3/4-0-----0---------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> Woke up this mornin' feel 'round for my shoes.<br /><br /><br /> G7 G6 G G7 G6 G C<br /> ~~~ ~~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0-----0--0-----0--0-----------------0-----0--0-----0--0------------------------------------|<br />|-0-----0--0-----0--0-----------------0-----0--0-----0--0--------------5---------------------|<br />|-3--------2--------0--------0-----0--3--------2--------0--------5-----5---------------------|<br />|------------------------3/4-0--------------------------------3//5---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> You know about that, babe had them old walkin' blues.<br /><br /><br />Verse 2:<br /> C G<br /> ~ ~ ~ ~ ~~~~ ~ ~~~~ ~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|-5-----5--5-----5--0--------------5--0-----------------5------------------------------------|<br />|-5-----5--5-----5--0--------5-----5--0-----------------5--0---------------------------------|<br />|-------------------------3//5--------------3//5-----3//5-----0-------2/4--------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> Woke up this mornin' I feel 'round for my shoes.<br /><br /><br /> G D<br /> ~~~ ~~~ ~~~ ~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|----------------------------0-----------------------0------------7--------------------------|<br />|-0----3/5-------0-----------0--------0----3/5----------0-----0---7--------------------------|<br />|-------------------0-------------2/4-------------------0-2/4-0-5/7--------------------------|<br />|------------------------3/5-----------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> D C G<br /> ~~~~ ~ ~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|-------------------0-----------------5--------5--------5\0------------0---------------------|<br />|-------------------0--------5--------5--------5--------5\0---0------------------------------|<br />|-------------------------3//5-----------------5-----------------0---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> You know about that, baby Woo-Lord, I had them old walkin' blues.<br /><br /><br /> G7 G6 G+5 G5 D G<br /> ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-----0----0--------0------------------------------------------------------------------------|<br />|----------0-----0--0-----0------------------------------------------------------------------|<br />|-3-----3--2-----2--1-----1--0--------0-----0--------0--0--------------0---------------------|<br />|---------------------------------2/4-----------------------3/4--0---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br />Verse 3:<br /> G7 G6 G G7 G6 G<br /> ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0--------0--------0-----------------0--------0--------0------------------------------------|<br />|-------------------0-----------------------------------0------------------------------------|<br />|-3-----3--2-----2--0--------------0--3-----3--2-----2--0--------------0---------------------|<br />|------------------------3/4-0-------------------------------3/4-0---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> I'm leavin' this mornin' I have ta go ride the blinds.<br /><br /><br /> G7 G6 G G7 G6 G C<br /> ~~~ ~~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0--------0--------0-----------------0--------0--------x------------------------------------|<br />|-------------------0--------------------------0--------x------------------------------------|<br />|-3----3---2-----2--0--------------0--3-----3--2-----2--x------------------------------------|<br />|------------------------3/4-0--------------------------x-----3//5---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> I been mistreat ed. I don't mind dyin' this a mornin',<br /><br /><br /> C G<br /> ~~~~ ~~~~ ~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-x-----------------x-----------------x-----------------5------------------------------------|<br />|-x-----------------x-----------------x--------5--------5------------------------------------|<br />|-x-----------------x-----------------x--------5--------5-----0------------------------------|<br />|-x-----3//5--------x-----3//5--------x-----3//5-----------------0----2/4--------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> If I have ta go ride a blind<br /><br /><br /> G D<br /> ~~~ ~~~ ~~~ ~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-----------------------------------------------------------------7--------------------------|<br />|-------------------------------------------------------------0---7--------------------------|<br />|-0----3/5----------------------------0----3/5-------0--------0-5/7--------------------------|<br />|----------------0-----------0----2/4-------------------0-2/4--------------------------------|<br />|------------------------3/5-----------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> D C G<br /> ~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-----------------------------------------------------------------------0--------------------|<br />|-------------------0-----------------5--------5--------5\0------0------0--------------------|<br />|-------------------0--------5--------5--------5--------5\0------0---------------------------|<br />|-------------------------3//5-----------------5--------------0------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> I been mistreat ed. Woo-Lord, I don't mind dyin'<br /><br /><br /> G7 G6 G+5 G5 D G<br /> ~~~<br />|----------------------------------------------------0--0-----0------------------------------|<br />|-0-----0--0-----0--0-----0--0-----------------------0--0-----0------------------------------|<br />|-0-----0--0-----0--0-----0--0--------------------------0------------------------------------|<br />|-3-----3--2-----2--1-----1--0--------0-----0-----------0------------------------------------|<br />|---------------------------------2/4--------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br />Solo 1:<br /> G<br /> ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~<br />|-10/12-12-12-11/12-12-12-11/12-12-12-11/12-12-12---------------------------------------0----|<br />|-10/12-------11/12-------11/12-------11/12-------11/12---11/12-11/12---11/12--------0--0----|<br />|-------------------------------------------------11/12-----------------------12-----0-------|<br />|-----------------------------------------------------------------------------12-----0-------|<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G <br />F#<br /> ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~ ~~~~~ ~~ ~~~~~ ~~ ~~~~~ ~~ ~~ ~~ ~~ <br />~~<br />|-10/12-12-12-11/12-12-12-11/12-12-12-11/12-12-12-------12-------12--------------------------|<br />|-10/12-------11/12-------11/12-------11/12-------11/12----11/12----11/12---------12-12---11-|<br />|-------------------------------------------------------------------------12-12---12-12---11-|<br />|---------------------------------------------------------------------------------12-12---11-|<br />|---------------------------------------------------------------------------------12-12---11-|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> F C<br /> ~~ ~~~~<br />|--------------------------------------------------------------------------------------------|<br />|-10----------------5------------------------------------------------------------------------|<br />|-10-------0--------5------------------------------------------------------------------------|<br />|-10-------0--------5------------------------------------------------------------------------|<br />|----------0-----3//5------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x<br /><br /><br /> C<br /> ~~~ ~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|----------------------------2/3-0-----------------------------------------------------------|<br />|-4/5--4/5-4/5--4/5-4/5\3-0--2/3-0-------0-------2/4-0--3/5\3-0-2/3-0-2/3--------------------|<br />|-4/5--4/5-4/5--4/5-4/5\3-0--------0-------------2/4------------2/3-0-2/3--------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G D<br /> ~~~ ~ ~ ~ ~~~ ~~~ ~~~ ~~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|-0----3/5-5-----5--5-----0----2/4-0--5/7--------2/4-0--5/7\5----------0---------------------|<br />|-0--------------------------0-2/4-------------0-2/4-------------0-2/4-----------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> C G G7 G6 G+5<br /> ~~~ ~~~ ~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-------------------------------------------0--0--0-----0-----0--0-----0---------------------|<br />|-------------------------------------------0--0--------0-----0--0-----0---------------------|<br />|-3/5------------0--5\3-----2/3-0-2/3-0-----0--3-----3--2--------1---------------------------|<br />|----------0-2/4----------0-2/3-0-2/3-0------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G D G<br /> ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0------------------------------------------------------------------------------------------|<br />|-0------------------------------------------------------------------------------------------|<br />|-0--------0-----0--------0--0--------0-----0------------------------------------------------|<br />|------2/4------------------------3/4-0------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x<br /><br /><br />Verse 4:<br /> G7 G6 G G7 G6 G<br /> ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0--------0--------0-----------------0--------0--------0------------------------------------|<br />|-0-----0--0-----0--0-----------------0-----0--0-----0--0------------------------------------|<br />|-3-----3--2-----2--0--------0-----0--3-----3--2-----2--0--------0-----0---------------------|<br />|------------------------3/4-0-------------------------------3/4-0---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> People tell me the walkin' blues ain't bad.<br /><br /><br /> G7 G6 G G7 G6 G C<br /> ~~~ ~~~~<br />|--------------------------------------------------------------------------------------------|<br />|-0--------0--------0-----------------0--------0--------x------------------------------------|<br />|-0-----0--0-----0--0-----------------0-----0--0-----0--x--------5-----5---------------------|<br />|-3-----3--2-----2--0--------0-----0--3-----3--2-----2--x--------5-----5---------------------|<br />|------------------------3/4-0--------------------------------3//5---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> The worse old feelin' I most ever had<br /><br /><br /> C G<br /> ~~~~ ~~~~ ~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|-x--------x-----0--x-----------------x-----------------x------------------------------------|<br />|-x-----5--x-----0--x--------5--------x--------5--------x------------------------------------|<br />|-x-----5--x-----0--x--------5--------x--------5--------x------------------------------------|<br />|-------------------------3//5--------------3//5--------x-------------2/4--------------------|<br />|-------------------------------------------------------------3//5---------------------------|<br /> x x x x x x x x<br /> People tell me the old walkin' blues ain't bad.<br /><br /><br /> G D<br /> ~~~ ~~~ ~~~ ~~~ ~~~~~<br />|---------------------------------------------------------------12---------------------------|<br />|---------------------------------------------------------------12---------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|-0----3/5-------0--------------------0----3/5-------0-------10/12---------------------------|<br />|-------------------0--------0----2/4-------------------0----10/12---------------------------|<br />|------------------------3/5-----------------------------------------------------------------|<br /> x x x x x x x x<br /> Well it's the<br /><br /><br /> D C G<br /> ~~~~ ~ ~ ~ ~~~<br />|----------------0---------------------------------------------------------------------------|<br />|----------------0--0------------------------------------------------------------------------|<br />|-------------------0--------5--------5--------5--------5--------------0---------------------|<br />|-------------------0--------5--------5--------5--------5--------------0---------------------|<br />|-------------------0-----3//5--------5--------5--------5----2/4-0---------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /> worse old feelin' Woo-Lord, the most I ever had.<br /><br /><br /> G7 G6 G+5 G5 D G<br /> ~~~<br />|-------------------------------------------------------0-----0------------------------------|<br />|-0--0-----0-----0--0-----0--0--------------------------0-----0------------------------------|<br />|-0--------0-----0--0-----0--0--------------------------0------------------------------------|<br />|-3-----3--2-----2--1-----1--0--------0-----0--------0--0------------------------------------|<br />|---------------------------------2/4--------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x<br /><br /><br />Solo 2:<br /> G<br /> ~~~~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~<br />|-10/12-12-12-12-12-12-12-12-12-12-12-12\10--------------------------------------0--0--------|<br />|-10/12-12-12-12-12-12-12-12-12-12-12-12\10--10/12---11/12-11/12---11/12-12------0--0--------|<br />|--------------------------------------------10/12-----------------------12------0--0--------|<br />|--------------------------------------------------------------------------------0-----------|<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> G F#<br /> ~~~~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~~~~ ~~ ~~~~~ ~~ ~~~~~ ~~ ~~ ~~ ~~ ~~<br />|-10/12-12-12-12-12-12-12-12-12--12-12-12-------12-------12----------------------------------|<br />|-10/12-----------------------------------11/12----11/12----11/12---------12-12---11---------|<br />|-----------------------------------------------------------------12-12---12-12---11---------|<br />|-----------------------------------------------------------------12-12---12-12---11---------|<br />|-------------------------------------------------------------------------12-12---11---------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> F C<br /> ~~ ~~~~<br />|--------------------------------------------------------------------------------------------|<br />|-10----------------5------------------------------------------------------------------------|<br />|-10-------0--------5------------------------------------------------------------------------|<br />|-10-------0--------5------------------------------------------------------------------------|<br />|----------0-----3//5------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x<br /><br /><br /> C<br /> ~~~ ~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|----------------------------2/3---------x---------------------------------------------------|<br />|-4/5--4/5-4/5--4/5-4/5\3-0--2/3-0-------x---------------------------------------------------|<br />|-4/5--4/5-4/5--4/5-4/5\3-0--2/3-0-------x----0------0--3/5\3-0-2/3-0-2/3--------------------|<br />|-4/5--4/5-4/5--4/5-4/5\3-0--------0-------------2/4------------2/3-0-2/3--------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> C D<br /> ~~~ ~ ~ ~ ~~~ ~~~ ~~~ ~~~~~ ~~~<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|--------------------------------------------------------------------------------------------|<br />|-0----3/5-5-----5--5-----0--------0--5/7------------0--5/7\5----------0---------------------|<br />|-0--------------------------0-2/4-------------0-2/4-------------0-2/4-----------------------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x x x x<br /><br /><br /> C G G7 G6 G+5 G<br /> ~~~ ~~~ ~~~ ~~~ ~~~ ~~~<br />|-------------------------------------------0------------------------------------------------|<br />|-------------------------------------------0-----0-----0--0-----------0---------------------|<br />|-------------------------------------------0--0--------0--0-------------------2/4-----------|<br />|-3/5------------0--5\3-----2/3-0-2/3-0-----0-----------2--2-----------1--1----2/4-0---------|<br />|----------0-2/4----------0-2/3-0-2/3-0----------------------------------------2/4-----------|<br />|--------------------------------------------------------------------------------------------|<br /> x x x x x<br /><br /><br /> G<br /> ~~~~ ~~~~~ ~~~~~ ~~~<br />|-7/12-----------------------------0--|<br />|-7/12-----11/12-------------------0--|<br />|-7/12-----------11/12----------0-----|<br />|-------------------------------0-----|<br />|--------------------------2/3--0-----|<br />|-------------------------------------|<br /></font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-67431185656653881802009-03-25T07:13:00.000-07:002009-03-25T07:33:55.763-07:00cocaine<font color="yellow"COCAINE> by J. J. Cale<br /><br />(the main riff is [E] [E] [D] [E], [E] [D] -- play that twice over each<br />line of the verses)<br /><br />If you wanna hang out you've got to take her out, cocaine.<br />If you wanna get down, down on the ground, cocaine.<br /><br />She don't [E] lie, she don't [D] lie, she don't [C] lie [B]<br />Cocaine!<br /><br />If you got bad news, you wanna kick them blues, cocaine.<br />When your day is done and you wanna run, cocaine.<br /><br />Chorus<br /><br />If your thing is gone and you wanna ride on, cocaine.<br />Don't forget this fact, you can't get it back, cocaine.<br /><br />Chorus<br /></font>arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0tag:blogger.com,1999:blog-690579573857716857.post-38550912495004690242009-03-25T06:18:00.000-07:002009-03-25T06:29:27.961-07:00Kata-kata dlm hal musik*"Dalam musik seorang harus berpikir dgn hati dan merasakan dgn pikiran"(George Szel)<br />*"Lakukan apa yg bisa,dgn apa yg kau punya,dan dimana kau berada"(Theodore Roosevelt)<br />*"Ekspresi org paling nyata adalah dalam tarian dan musiknya karena tubuh tidak pernah berbohong"(Gnes de Mille)<br />*"Musik itu sendiri menyembuhkan.Musik adalah ledakan ekspresi kemanusiaan.Musik adalah sesuatu yang menyentuh kita,tidak peduli dari budaya mana atau apa yg penting semua orang mencintai musik"(Billi Joel)<br />*"Musik adalah ilmu pengetahuan yang akan membuat kita tertawa,menyanyi,dan menari"(Gauillame de Machaut)<br />*"Untuk mempelajari musik kita harus mengikuti aturan.Untuk menciptakan musik,kita harus melanggarnya"(Nadia Boulanger)<br />*"Dalam musik seorang harus berpikir dengan hati dan merasakan dgn pikiran"(George Szel)<br />*"Musik harus dirasakan,didengar dengan penuh perasaan,dinikmati keindahaannya,dan tentu saja harus dipahami"(Mr.Kramer,<span style="font-style: italic;">ayah angkat ibu Sud</span>)arthur jansen tahiyahttp://www.blogger.com/profile/06071640867328294553noreply@blogger.com0